(CW s*x mention, swear words, weight mention, actual encounter details)
Ok. So... I’m a bit intoxicated yet I feel extremely lucid. After many hours of re-entering the world of what used to deeply frighten me, I’m ready to talk “publicly” about what happened to me. I have way too many questions, and I’m hoping I’m in the right place to possibly glean some answers. I feel very sensitive and skittish at this moment in time. I currently live like... a thousand miles away from where this happened but I still somehow feel like I’m being “paid attention to” as I write this and prepare to post it.
This is a long post with a lot of seemingly random details. So I guess, uh... bear with me. Those of you who stick around or have, in the past, read a lot of these stories, may find this interesting or relevant or validating... I don’t know. It’s just long and detailed.
Background:
I am an “empath.” I’ve heard a short group of people describe empaths as “the world’s most narcissistic narcissists.” I think this is their way of trying to demonize me for being Sensitive. I also encounter “ghosts” or spirits or entities, but haven’t since my last successful attempt to escort a spirit out of my friend’s parents’ house last year. I have had many spiritual encounters but they are VERY DIFFERENT from what this story is about. My intuition is very strong. My mother has very strong “feelings”, able to identify dangers before they happen (including knowing that our house would flood in an area that hadn’t flooded in like... 60 years, got insurance and then like 4 days after the insurance kicked in we flooded lolll) and my grandmother on my father’s side was so keen with premonitory shit that she and my grandfather would be just shy of being kicked out of casinos because she would literally clean House in Las Vegas and they would just casino hop and make THOUSANDS off of her ability to predict... whatever. She would make money, never count it, hand it to my grandfather who would go drink and then once the House got slightly sus of her activity, they would bounce, go to the casino next door and rinse, repeat. Like, whatever. But she also was like, blessed with her “spook” as she called it. Once my father got horrrrrrrrible food poisoning (on the west coast, grandmother was on east coast) and was brought into the ER for fluids or whatever. My mother received a call that night, she picked up and it was my paternal grandmother. No “hello” no “what’s going on” just “WHY IS MY BABY IN THE HOSPITAL?”
This seems extraneous but I think, now, it is relevant to what happened to me. Still not sure why but... yeah.
Ok so to the THING the EVENT that happened to me. (It was very sus and I will explain why, I promise. This is a long post but just like... bear with me ok plz.)
I think it was 2011 MAYBE 2010, I was living in a dormitory in my own room (single bedroom, jus me) in downtown Oakland California. I was mentally in a very very bad place, and I believe it was shortly before this encounter that I had a full on hysterical existential crisis where I had called my then-boyfriend (now loving husband) on my cell phone while I was huddled in an exterior portion of an emergency exit doorway alcove at my San Francisco campus, convinced that I had unraveled the secrets of the universe in my sketchbook during my last class of the night. I don’t remember how I got there, I don’t remember my conversation on the phone, I’m pretty sure I blacked it out and I’m also pretty sure my partner blacked it out as well because I was so upset that it was traumatic to us both (and he was literally hundreds and hundreds of miles away and could not physically get to me.) I do remember the infinity symbol being very important in a superficial way, and also that it was so deep that I like... fell in.
So anyway.. somehow I recover from that, my boyfriend is concerned but can’t... do anything, so
One night, I wake up and my dorm room looks different. The only time I had ever seen my room from a similar perspective was when I was standing on my bed hanging up my faery lights around the walls near my bed when I had first moved in. The thing was, my dorm was SMACK DAB in the middle of the city, like... civic center was right fuckin there. Like middle of the city. I was used to the orange glow of the street lights pouring through my dirty and aged blue curtains of my fourth floor window. I was located right at the fire escape, which pleased my father because he knew I could gtfo super fast no matter what the emergency.
The ceilings of my dorm room were VERY high, maybe more than 9 or 10 feet, probably more, but the point is that if I stood straight up on my bed (which was also lifted for storage reasons so I had to climb onto a stool to climb into bed) I still had plenty of clearance between my head and the ceiling.
So
I wake up, and as I look around, I realize my vision is about 5-6 and a half feet above my bed. I didn’t realize this at first because I had a lot of information to take in. My room was dark, but my computer was still on because I would play David Attenborough’s Blue Planet every night to help me fall asleep. The hallway lights were on as always and I could see the light coming through under my door. The thing was, the normal orange streetlight coming through my curtains was a white-blue, and it was soft but filled my whole window. But because the curtains were drawn, it was still rather dark in my room. I saw, in front of me, my door, and the hallway light coming under the door, normal... but when I looked DOWN I saw my feet, and they were ABOVE my bed by like... at least a foot. Maybe more.
I suddenly realize that I am in the air, near the foot of my bed, and I immediately PANIC.
I took a HUGE heaving breath of air, eyes wide, and then suddenly the light went out and I SANK toward the floor as if gravity had been suddenly switched on, and BANG hit the floor. The floors were essentially like this black composite nerf shit, so while my ass felt it, it wasn’t like landing on hardwood. The worst part though was that I hit the floor, saw the room come up (as your environment does when you fall), and since I had been right next to the foot of my bed, I was also very close to the wooden leg post of the bed, which was like... 4 feet tall. I hit the floor and recoiled, my head snapped back and WHAM back of my head hit the bed leg post. I felt my teeth clack in my head from the impact, and I felt and heard the vibration of the floor resonate simultaneously with the impact of my body hitting the floor. I will NEVER forget the rattling of my teeth from that impact.
So: GASP, lights go out, drop, fall, bam hit floor, wham head hit bed leg, teeth clack, and then
wake up suddenly, it’s daylight on my Friday off, and I’m in bed, under the covers.
A few things to point out:
I have vivid dreams. They are usually very awful or completely unremarkable, and they all fade to some degree. This event never faded. The sound of my body striking the floor is still very clear to me. While I’m not sure if it’s related, a few weeks (months?) later a smol portion of my left incisor broke off for basically no reason, and the dentist noticed but didn’t ask questions. Just... announced out loud that I now had different tooth features to the tech who had taken my X-rays for that dental cleaning.
Another note, I have no history in my life of sxual abse. I was raised in a very comfortable home with parents that loved me and cared for me and made sure I did not suffer too much during their divorce when I was 11-12 years younger. I have a very dear friend who suggested I may have been suppressing memories of abse and that this encounter was a possible expression of abse as This Is A Thing That Happens. Not trying to detract from others experiences, this is just like... as far as I know, a known psych thing.
The most important thing:
I was NOT taken out of my dorm room.
I was NOT abducted. I did not SEE any figures or visitors or whatever you want to call them, the only thing I saw that didn’t belong was the blue-white light coming in through my curtains. And also the fucked up perspective provided by being literal inches from the ceiling.
This is why I call this event “my attempted abduction.”
More notes: I have the “ginger gene.” With 3 of my 4 parents being in medical, one of which who was a regular tech in the operating room, I learned that people with the red hair gene are like... less affected by anesthesia and pain relief. People who WAKE UP during surgery often have the red hair gene (either through prominent gene expression of red hair, or a subtle gene expression through a red tint. I have the red tint. I got this from my VERY Irish mother, who HAS woken up during surgery, is less responsive to chemical pain relief, and these features were passed on to me.) I also very distinctly remember undergoing mild but traumatic and frightening dental work, they gave me the gas and while I was unable to speak or move, I felt EVERYTHING and just... tears poured out of my eyes but no one asked me if I was ok. I just suffered, unable to move, and in excruciating pain, tears pouring down my face. Someone told me that gas is supposed to just relax you and not alleviate pain, which is fair, but at the same time, I was very aware of everything I just... couldn’t move or speak up. I mention this because PERHAPS this is why I woke up and came to in the middle of being removed from my room. I have no idea, but it just... seems relevant. I don’t know if they use chemicals, or anesthetics, or anything at all, but I wonder if the reason I woke up partway through this encounter was related to why my mother wakes up during surgery.
Even more notes: for those of you with Deep Lore knowledge, this may actually be relevant, and is a very resent development in my personal knowledge and MAY be important to what happened. After my father did genetic testing recently, he found that he (and therefore I) had a direct ancestor of a very famous Female Viking military leadetactician. You can search “Sweden Viking woman burial genetic testing” and learn about her. I am not directly descended from HER, but she and I share a common ancestor.
Ok
So I had just had this mental breakdown specifically about the futility of existence in The Universe, I wake up floating, gasp for air, lights go out, I hit the floor, blah blah blah, I wake up in bed, and I never have another encounter. Never again to this day even coming up on 10 years later.
About three years after this encounter, i finally told my psychiatrist and she very casually and carefully says “ok so... liiiiiiittle bit of psychosis” and prescribes me an antipsychotic for psychotic features. (Turns out this medication completely messed me up. Made me gain like 150 pounds, and NOT A SINGLE MEDICAL PROFESSIONAL suggested that this particular antipsychotic could be the culprit for like.... ALL of my subsequent medical issues, including NO MORE PERIODS, no sex drive, and dangerous weight gain that basically made me prediabetic. But that’s all another story for another day. Point is I’m taking a different medication now, doing better, mentally and physically happy, still fat but rocking it and loving it.)
Thoughts: why did they stop? I got this overwhelming sense that I wasn’t the only person panicking in the room. I got this feeling that the Ones who came to “pick me up” were just as shocked as I was. When I woke up and gasped for air, I felt panic, but I also felt like... THEY panicked too. Like “BRO SHE WOKE UP WTF DROP HER ABORT ABORT” like that was the feeling I got.
What did I have that they wanted? I was mentally unstable, but still an empath and a lucid/vivid dreamer. I was not exactly prime health specimen though. No congenital situations though, outside depression, anxiety and panic disorder. PTSD came about around the same time but for unrelated reasons. Some people indicate that abductors are interested in sex cells, skin cells, organ samples, etc. I was not necessarily special in that regard. Wtf did they want with me? Was it my brain situation? Did I have an ability or abilities that were valuable?
WHY DID THEY CHOOSE DOWNTOWN FUCKING OAKLAND to try pick a person up? Like that isn’t some classic backroads, back water, in the sticks, in the woods, on some dark road shit, where they could do their stuff without being noticed. this was DOWNTOWN bro. Like if I leaned out my window correctly I could seeeeeeeee the government offices. The neons of the newspaper building lit up my room (that light was red tho, so 100% ruled out to explain the light I saw.) I was NOT in an inconspicuous place where they could do their work without drawing attention.
So I’m left to ask again, wtf did I have that was valuable enough for them to try to take me out of my room in a metropolis downtown area where I was VERY PHYSICALLY CLOSE to other people? through the walls, other people were no more than 15 feet away from me at any given moment of the night.
I feel like...ok. I feel like I’m rambling and providing a LOT of information so if you made it this far through all the details that I HOPE were relevant, I commend you and I THANK you.
I’ve talked to my mother, my now-husband, my best friend, and my (now fired) psychiatrist about this event. Now I am telling You.
I am trusting You with this information because I feel in my heart that this is a place where people won’t call me crazy or whatever.
I don’t know. I’m feeling very shook up trying to sort my thoughts around this, and by typing it up in such a public forum I feel very vulnerable and weird. I also don’t even know if I’m in the right place because I technically was not abducted, I didn’t leave my room, but I stg someone or something tried to take me out of my room.
I don’t know if anyone here has any ideas as to Who the race was that might have been interested in me, or whatever it was I had that they wanted, or whatever. All I know is that it was Really Scary and that I’m glad it hasn’t happened again. My partner is skeptical but very supportive, told me I wasn’t crazy, etc... I don’t know. I know my talking about it spooks him though. but I just can’t ignore it or downplay it anymore.
If you happen to have ANY information that could help me understand my situation, or if you have encounters that were similar or.... anything.
I don’t know..
It’s very very late and I think I need to have a glass of water and try to sleep but I will log after I wake up and see if... ya’ll like... have anything. I don’t know.
I’m just really shook up rn.
Peace, blessed be you and yours, and may the New Year bring joy, comfort, love and good food to you.
Thank you for your time. I really really really appreciate it.

(Note: This review exceeds Reddit’s 40,000 character limit for text posts so three additional comments are posted in this thread with the rest of the review. Sorting comments by “old” will bring them up for you in order.)
 

EPISODE I: THE HUNCHED BACK MENACE

 
Welcome to Old BasedWorld
Hurried crowds, sparse synths and ringing cathedral bells in the streets of Old BasedWorld set the scene for our journey. High above the town in the Old BasedWorld Cathedral, a young man with a hunched back dreams of a brighter tomorrow.
 
Staring Out My Window
“The only way you could really feel this pain is from the BasedGod” – From this opening line along with the somber instrumental accompanying it Lil B makes it clear that this project will be different from the hyphy material he’d been releasing since Black Ken. The BasedGod’s stirring musical backdrop allows Brandon to reminisce on the times he spent as a troubled youth staring out the windows of Old BasedWorld’s Cathedral (as pictured on the album cover), dreaming of a normal life with the rest of the citizens across the bridge in San Francisco New BasedWorld.
 
The Many Sides of a Genius
Using a compilation of voicemails taken directly from Old BasedWorld’s only working phone, Lil B uses these messages to convey his own message. The people leaving these voicemails were clearly important people in Brandon’s life and, one could say, are some of the “sides of genius” that helped him develop into the man he is today. It continues the album’s narrative of a brilliant soul whose talent and ambition are unnoticed by the outside world, with only those who are closest to him recognizing the genius within.
 
Ain’t Gon Pick Up
One of the people leaving a voicemail on “The Many Sides of a Genius” mentioned how Lil B never picks up his phone, so it’s only appropriate that the next song has B discussing why he chooses not to answer the phone in Old BasedWorld’s Cathedral. It also ties back in to the theme of unrecognized talent, with Brandon stating in the chorus “I ain’t gon pick up, nobody gives a fuck so I don’t give a fuck”. References to stomach pains and Crohn’s disease further highlight how B is feeling “sick to [his] stomach” of being disrespected: by the end of the song, the listener fully understands why Lil B wouldn’t be interested in picking up his phone.
 
Hunchback of BasedGod
One of the album’s great conceptual triumphs. Lil B states from the jump that this song is meant to be a set of instructions for the Hunchback of BasedGod for his eventual descent from his perch back into the town of Old BasedWorld and beyond. It’s still unclear whether or not Lil B himself is the Hunchback, the BasedGod, the Hunchback of BasedGod, or none of the above: the abstractness allows the listener to form their own perceptions and create their own story. Again, there’s a continuation of themes from the previous songs, with further references to stomach pains and issues of self-worth and meaninglessness coming from Lil B: with so much pain in this world, is it even worth it for the Hunchback to enter society? By the end of the song, Brandon affirms that it is, stating, “Do it and don’t just watch/ Step in the game and have fun/ We all townspeople, we one/”. As such, the Hunchback leaves the cathedral, passing through the cobblestone streets of Old BasedWorld while hushed onlookers stare silently, as he ventures out towards New BasedWorld.
 
Berkeley San Francisco Its the BasedGod
This song is delivered from the perspective of the Hunchback, as revealed in the first line of the first verse: “I got the hunched back from all the depression”. Themes of struggle from the previous tracks reemerge, but you get the sense that the Hunchback is beginning to build up his self-esteem, boasting how he refuses to conform to the looks and expectations of the other townsfolk. He also seems to have gotten past the lack of recognition that was hindering him on “The Many Sides of a Genius” and “Ain’t Gon Pick Up”, as he proudly exclaims, “Who cares if I’m famous?” This gives the Hunchback the confidence to finally travel across the bridge he so often observed from his cathedral window. The townspeople are stunned: the Golden Gate BasedWorld Bridge had been badly damaged and decayed for decades, with no one daring to cross in the fears that it would collapse. But the Hunchback’s persistence leads him to make it across unscathed.
 
Outer Mission Music
With his feet firmly set in New BasedWorld, the Hunchback visits the colony of Outer Mission, a tight-knit community of New BasedWorld inhabitants who are unsure of how to react to their visitor. Lil B spends much of this track describing his interactions with the colony’s locals, which include Justin Timberlake, Alex Rodriguez, and Lionel Messi as tribe members. He also manages to make the situation surrounding the identities of his disparate personalities even more confusing, stating, “Lil B, I’ve seen him in public/ Is that the Hunchback of BasedGod, or is that the BasedGod? It’s BasedGod/” Will we ever know the difference?
 
Wake Up Get High Go Back to Sleep
In spite of a renewed sense of confidence brought upon by his decision to leave his old life behind, not all is perfect in the Hunchback’s mind. On this joint (pun intended) he harkens back to his days in the cathedral, where he would spend his mornings smoking heavy doses of marijuana in order to numb the pain of his seclusion, often to the point of losing consciousness. It’s also worth noting that the only weed that grows naturally in Old BasedWorld is mids, so the Hunchback would need to smoke a significant amount to achieve the desired effect.
 
Video Game That I Still Play
The irony in the title of this song is that the “video game” the BasedGod is referencing here is in fact a metaphor for his own life’s journey. As he so aptly states during the chorus: “My life is like a video game/ It’s been so weird, but I still play”. The fact of the matter is, Lil B could have chosen to rage quit this game of life long ago, but his perseverance has brought him to a new place of inner peace within the confines of New BasedWorld, even if the townsfolk are still unsure of how to respond to their new neighbor.
 
I Rather Die Then Go Home
At the end of the previous song, the Hunchback makes reference to an incident where he visited the Café Au Coquelet, a boutique restaurant in New BasedWorld. Upon his arrival, he received a similar reaction to those he used to receive in his homeland: “I go to restaurants, people stop smiling”. While some of the townspeople have begun to appreciate his presence, many of the other New BasedWorld residents still recognize his outsider status and continue to shun him as a result. This song is B’s response, with a firm affirmation that he would rather die than have to go back to the life of isolation he led in the Old BasedWorld Cathedral, where he wasn’t really living life to begin with. That said, the song’s mistitling of based comrade The-Dream’s original line of “I’d rather die than go home” as “I rather die then go home” leaves the Hunchback’s true intentions up for interpretation.
 
Crying in the Club
After finishing a five-course meal at the boutique, B ventures out to the party district of New BasedWorld, where he surprisingly gets admitted to one of the most exclusive night clubs in the land. As he observes the scene, the crushing reality of the differences between himself and the other clubgoers becomes apparent. A single tear is shed, followed by another, and another, until the BasedGod is in a state of full-blown emotional distress. In spite of his condition, he makes it known that he isn’t ashamed of wearing his heart on his sleeve, openly admitting in the chorus: “I don’t really care if I hurt myself, I don’t really care who sees”. This unyielding display of raw emotion brings the music and dancing to a halt. All eyes are now fixated on the strange being with the tear-stained T-shirt and the disfigured spine. He lets out a desperate plea: “I just want a hug…” To the surprise of the Hunchback, the residents of New BasedWorld collectively embrace him, looking past his outer deformities to recognize the beautiful soul that exists within. Historians would later acknowledge this moment as the primary catalyst for the BasedWorld Revolution™.
 
 

EPISODE II: THE COLD WARS

 
Voyage to Berkeley California
Meanwhile, down in the town of Old BasedWorld, the townsfolk slept restlessly, their dreams invaded by shadowy fake based figures digging away at their souls. Every day, people would wake and stare at the Old BasedWorld Cathedral. Why was the Hunchback not ringing the bells that had kept the evil spirits of the fake based realm out of their lives? It was then they realized that the Hunchback had crossed the sacred bridge and ventured to New BasedWorld. Frantic to reconcile with the gatekeeper they had long taken for granted, a group of the townspeople decide to bravely seek out the BasedGod in the hopes that he will return. However, they recognize that crossing the BasedWorld Bridge is something no mortal man is capable of doing and living to tell the tale. Using a secret map rumored to have been drawn up by Captain 66 himself, a group of citizens board a modest ship to cross the San Francisco BasedWorld Bay on a warm summer’s eve. Will they survive? Only time will tell.
 
Across the Sea
And here, ladies and gentlemen, we are presented with the greatest plot twist this side of the Fingerpoke of Doom: It turns out Lil B is not actually the Hunchback and/or the BasedGod after all.
 
Perhaps we should have known all along...
 
Indeed, unbeknownst to the townspeople (who themselves had just assumed all three entities were combined as one person), Lil B has remained in BasedWorld all along in disguise. About halfway into their journey across the Bay, Lil B’s resentment towards his shipmates and their longing for the Hunchback’s return gets the best of him, and the violent persona exhibited on tracks like “Murder Rate” and “Domestic Violence Case” overtakes Lil B’s natural pacifist tendencies. In a fit of rage, he attacks them, “knocking them off the boat” into the shark-infested waters and keeping all of the remaining LifeVests to himself. B himself recognizes the consequences of his actions, ending the song by saying, “This darkness… It’s scary.” Nonetheless, he refuses to be stopped in his mission to visit New BasedWorld and confront the Hunchback all on his own.
 
Where Is the Potion
Having arrived on the shores of New BasedWorld, Lil B ventures into town. Knowing that the only way to find the elusive Hunchback is through the townspeople who may have caught a glimpse of him, he travels to the aforementioned nightclub, with floors still drenched in the BasedGod’s tears from earlier, asking, “Where is the potion?” The response he’s given comes in the form of several bottles of liquor, which quickly dispel any notions of anxiety or self-doubt that may have stopped Lil B from completing his mission. A few of the club’s premium members willingly show him the spots around town where they had spotted the Hunchback, but any further clues of his whereabouts are hard to come by. Before they know it, they find themselves at one of the many riverbanks in New BasedWorld, where a celebration of the BasedGod’s glory is in full swing.
 
Riverdance
This instrumental is what Lil B and the clubgoers heard as they made their way to the bank of the river. Speaking with more of the natives, Lil B learns more of the Hunchback’s travels and experiences in New BasedWorld and begins to put the pieces together in his mind for where the BasedGod may be headed next.
 
Wolves and Snakes
As Lil B continues to plot his course, the BasedGod, who has just finished eating a salad on his way to the colony of Chaddick, senses a disturbance in the Based Force, feeling as though him and his hunched back may be in grave danger. He ponders on the wolves and the snakes that he was forced to deal with in his past life and reflects on the growth he’s experienced since leaving the dreaded, darkened halls of the Cathedral. In spite of this, he can’t help but shake the feeling that, like in the proverbial rear-view mirror, one of these wolves and/or snakes may be closer than they appear…
 
Meeting on UC Berkeley Campus Today
Undeterred, the Hunchback makes his way to UC Berkeley, New BasedWorld’s sole institution of higher learning. After giving a spirited 90 minute lecture on the power of positivity (modeled after previous lectures at such high class institutions as NYU,Carnegie Mellon and Princeton), the BasedGod is greeted by a mass of adoring students at the university. The male students beg for the BasedGod to fuck their bitches, and said bitches are more than willing to oblige. In a grand spectacle, the Hunchback has consensual sex with all 1,000 of the college’s female attendees while this instrumental blares out of speakers across the campus, being awarded with a trophy as a result of his success.
 
Artistic or Autistic
Elsewhere in New BasedWorld, Lil B attempts to strategize his next move. However, planning the escapade is made difficult thanks to B’s second most potent Internet distraction after his Twitter feed: Reddit. Going through a series of faked based comments on the hiphopheads subreddit, Lil B is particularly struck by a comment suggesting that he may in fact be suffering from the neurological disorder autism. The assertion is an eye-opening moment for him: after all, the elevated levels of lead found in Old BasedWorld’s drinking water had been a concern amongst the town’s scientists for years, and his own behaviors and thought patterns seemed to align relatively well with the common symptoms of the condition. After a brief moment of solemnity, Lil B realizes that his immaculate catalog of music has been made possible because of who he is, and if he is autistic, it is an essential component of his artistic output. This song is the result of this revelation.
 
Free 03
Our story continues as the BasedGod chooses to use his newfound fame and glory to give back to the New BasedWorld community. He begins volunteering at the New BasedWorld Penitentiary, espousing his worldview and giving advice to the inmates on how to make positive contributions to society after they have served their time. One particular inmate catches his eye: a fellow hip hop artist named 03 Greedo, who was arrested a few years earlier in a drug trafficking scheme. The Hunchback’s conversations with the young man have a profound impact on him, and in the weeks and months to come, Greedo becomes the model prisoner for other inmates to aspire to be, with intentions of joining the ministry upon his release. The BasedGod, proud of what he was able to accomplish, promises to dedicate a song on his new 50 song mixtape to Greedo.
 
Rhode Island
Rhode Island, officially the State of Rhode Island and Providence Plantations, is a state in the New England region of the northeastern United States. It is the smallest U.S. state by area, the seventh least populous, but is also the second most densely populated. Rhode Island is bordered by Connecticut to the west, Massachusetts to the north and east, and the Atlantic Ocean to the south via Rhode Island Sound and Block Island Sound. It also shares a small maritime border with New York. Providence is the state capital and most populous city in Rhode Island.
 
As Rhode Island is located on the opposite side of the continent from Old and New BasedWorld, it has nothing to do with this story other than this brief mention of its existence.
 
I’m Depressed Again
While the Hunchback is continuing to make great strides in improving the lives of the people in New BasedWorld, he continues to be fazed by an ever-growing sense of something troubling being on the horizon. A dark evil is emerging that he cannot foresee, and he worries that by the time he learns what this evil may be, it will be too late. This sends the BasedGod back into a spiraling depression, one not felt since the last day he had spent alone in the cathedral. He warns his closest confidants of the impending doom, saying, “Real talk… Feel it through your heart. Feel it through the spirit. You can feel it through the dark, cold as ever.”
 
Café Au Coquelet
At the same time as the Hunchback is experiencing this sense of dread, Lil B has made his way to Café Au Coquelet, one of the first spots in New BasedWorld that was graced by the power and the glory of the BasedGod. Lil B immediately detects the Hunchback’s prior presence in the vicinity: all of the restaurant’s guests are acting unusually positive and based towards one another, and the only dish that anyone has ordered over the past week has been the clams casino. Lil B also recognizes that the music playing in the background of the restaurant (the instrumental that is this song) was created by the BasedGod. Enraged, he stands up on the restaurant tables and begins to lambast the townsfolk for having fallen for the lies and deceit of a false prophet. He dictates a new philosophy, beginning by disposing of the food everybody has already ordered and teaching them how to cook for themselves. Before long, the entire restaurant is cooking to “Like a Martian”. A growing sect of New BasedWorld begins to emerge in objection to the Hunchback’s teachings, with Lil B and the swag movement as their new leader.
 
Downtown Berkeley Protest
Back in the colony of Berkeley, the BasedGod is gathering his followers together for a celebration of optimism and goodwill unto others. His new instrumental track plays as the Hunchback’s followers enjoy the festivities. It is at this moment that the BasedGod feels a searing pain encompass his entire being, and he recognizes that this is the moment he has been fearing for the past few weeks: the evil has arrived. A mass of residents from the other New BasedWorld colonies have descended upon the party with torches and handguns. Dressed in pink shirts, tiny pants and Vans sneakers, they march to the center of the crowd in unison, yelling nonsensical phrases such as “Figaro!” and “Martha Stewart!” as the frightened followers of the Hunchback look on. At the front of the mob is the leader, the enigmatic Lil B. He flashes a slight smile at the BasedGod, who stares directly back into the eyes of his former student. As the crowd of pretty residents begin to hurl insults and grievances towards the based residents, Lil B raises one hand, and the noise stops. Then, he begins to walk away. B’s worshipers follow him out of the city square in silent unison. Many of the Hunchback’s flock wonder if this is the end of the madness. However, the BasedGod knows deep down inside that this is just the beginning.
 
 

EPISODE III: REVENGE OF THE BITCH

 
Bring the BasedGod and Lil B Gifts
This is a Cold War, and we know what each side is fighting for. The New BasedWorld citizens have been divided into an even split, with half of the townsfolk (now calling themselves the “Task Force”) following the ways of the Hunchback and the other half (now calling themselves the “Bitch Mob”) committing themselves to the teachings of Lil B. In a frantic attempt to prove the superiority of one leader over the other, the townspeople begin to bestow luxurious gifts and rewards upon their idols in an attempt to make one appear more grandiose than the other. Lil B relishes in his newfound fame, gladly accepting a plethora of PlayStation 2 and Xbox 360 games from his fans, along with a fully registered copy of FL Studio to allow him to produce beats on the same level as the BasedGod. Meanwhile, on the other side of the village, the Hunchback seems uncomfortable embracing his new role as a worshipped deity. Having become accustomed to people ignoring him or being flat-out disgusted by his appearance, the adjustment to now becoming the leader of thousands of men is one that is not made easily.
 
Body Shaming
The opposing sides of New BasedWorld’s population quickly transition from honoring their respective leaders to creating smear campaigns against the opposition. One of the Bitch Mob’s most talented computer hackers manages to secure nude photographs of the Hunchback and distribute them online, highlighting the embarrassing weight gain that the BasedGod has endured over the past 5 years. The Hunchback is at first distraught upon hearing the news: “Why are they body shaming me? Why would they say all these mean things?” It is only when the BasedGod taps into his creamy center, where all the gooey happy-lovin' goo sits that allows him to be the nicest, most compassionate person he’s ever been, that he’s able to let the world know that he will not fall down so easy. He releases this song on his MySpace as a rebuttal, saying, “There's no reason to bully people and make fun of folks”. The Task Force immediately lauds the song as the perfect response to the scandal, while the Bitch Mob lashes out at the lack of trap drums and celebrity-based adlibs.
 
Stopped Talkin’ But I Still Rap
“So self-conscious, you feel me?”: Despite the approval of his comrades, the BasedGod is unable to shake the ever-persistent sense of self-hatred that is being exacerbated by the actions of the Bitch Mob. He feels his mind regressing to a prior state of fear and insecurity akin to that of his days spent in isolation in the Cathedral. Deep inside, the Hunchback finds himself in the midst of an existential crisis: how can one speak on the benefits of positivity and self-love when one does not truly love thyself? What would the consequences be of allowing this negativity to manifest itself in real time? Surely, an admission of hopelessness would spell defeat for the Task Force, allowing Lil B and his army of pretty townsfolk to rule the land for all eternity. But it would also be hypocritical for the BasedGod to continue to preach the Gospel of Based when his mind is not in a based state of being. In a move that would prove to be one of the most shocking of the Cold War, the Hunchback gathers his followers in the town square to announce that he will be taking an oath of silence until peace can be found between the two factions of New BasedWorld, capping off his decree with the debut of his ‘final’ song, “Stopped Talkin’ But I Still Rap”. The crowd gasps and devolves into hysteria, with thousands pleading for the Hunchback to reconsider, rightly worried over what would become of the based movement without the voice of its sole originator. But the BasedGod is persistent. He silently walks through the crowd, hugging each of his based brethren (and consensually face-fucking some of the females) before departing, possibly for good. Some time after midnight, he successfully crosses the Based Bridge and returns to Old BasedWorld, making his way back to the Cathedral without a single soul noticing his presence. He travels to the deepest, darkest depths of the Cathedral’s caverns, located miles beneath the Earth’s surface, where he begins an indefinite period of contemplation and meditation. This sequence of events would prove to be a milestone of the BasedWorld Revolution™, and would be forever immortalized in the cover art for the Where Did the Sun Go? mixtape.
 
Intermission
It was a bad time for both Old and New BasedWorld. The Hunchback just stayed inside his Cathedral and he never came out. People said his brain was infected by fake based devils. The Task Force hurt the most of all: without their leader, they crumbled and succumbed to the will of the Bitch Mob. Lil B’s tyrannical rise to power was all but complete. In the months that followed, he would expand his territorial control, conquering the villages of Albany and East Oakland and even sending troops to claim regions of land as far away as Hawaii and Nepal.
 
Nearly a full year after the disappearance of the BasedGod, Lil B’s armies waged war on Old BasedWorld. The BasedWorld Bridge was destroyed, leaving Lil B and his followers (who controlled the naval fleets) as the only ones who had access to both sides of the territory. After taking most of its citizens hostage and establishing a new structure of government with Lil B at the helm, the Bitch Mob began to formulate its Ultimate Bitch Plan to capture the Hunchback. One night, they rushed the Old BasedWorld Cathedral, setting it ablaze and burning the once-iconic structure to the ground in the hopes of finding the charred body of the BasedGod buried underneath the rubble. When they failed to retrieve the body, the contingent of pretty boys and girls was ordered by Lil B to venture underground, as an ancient prophecy had foretold the Hunchback’s journey to the center of the Earth. Armed with assault rifles of all varieties, they began their descent into the depths of the caverns.
 
However, the deeper they traveled, the more they became disillusioned by their actions, and the actions of their once-beloved leader Lil B. They did not realize that the closer they got to the Hunchback, the more they were swayed by his righteousness and his way of being. Soon, they were no more than a few hundred yards from locating the BasedGod. It was at this moment that they had a great awakening, recognizing the error of their ways and freeing themselves from the spell that had been placed on them by Lil B. They abandoned their mission, instead choosing to return to the surface without the Hunchback. Lil B, furious at the group’s reluctance to complete their task, began to chastise his former followers, and prepared to issue one of his infamous curses upon them, one which would result in certain death. Having become completely overwhelmed with the guilt and the shame of their exploits as part of Lil B’s army (and also acknowledging the fact that none of them would ever win an NBA championship now without signing to Golden State), they instead turned the guns Lil B had given to them on themselves, committing mass suicide on top of the remains of the Old BasedWorld Cathedral. Thousands of Old BasedWorld onlookers stared in paralyzing shock as the sound of hundreds of guns discharged at once. What followed was several hours of silence, as Lil B, covered in the blood of his former troops, coldly stared at the mass of dead bodies, trying his best to process what had just taken place.
 
 

EPISODE IV: A NEW HO(PE)

 
The Waterfront West Berkeley at Night
Meanwhile, on the other side of the Bay, most of the former Task Force members still remaining in New BasedWorld have all but accepted their fates, purchasing clothing that is too tight for them to wear comfortably and listening to the government-approved “Cooking Music” playlist on a constant loop. A small contingent of Hunchback loyalists remain, holding private meetings in the basement of the Café Au Coquelet and listening to the “Based Music” playlist in shrouded secrecy. Upon learning that Lil B and a commission of his troops had left to invade Old BasedWorld, the few remaining Task Force members felt it was safe enough to worship the Hunchback out in the open one last time. As most of the Bitch Mob members who had crossed the BasedWorld Bay with Lil B had come from the village of West Berkeley, the BasedGod’s loyal comrades choose the village’s Waterfront area as the gathering place for the ceremony. Unbeknownst to any of the group’s members, the mass suicides in Old BasedWorld were taking place at the exact same time as the celebration in New BasedWorld was commencing. The Task Force members rejoice, harmoniously singing the BasedGod’s favorite songs of worship: “B.O.R. (Birth of Rap)”, “The Age of Information” and “No Black Person Is Ugly” are belted out towards the heavens. Suddenly, the youngest of the Task Force’s members (who goes by the name of u/insabnma) feels a twinge underneath his bare feet. He looks down at the ground and notices that he has stepped on a golden USB drive, encrusted with diamonds and embroidered with the word “BASED” in all caps. The curious group of based boys and girls procure a laptop and, upon plugging the drive in, are amazed to find a .zip folder of 13 unreleased instrumentals credited as being produced by the BasedGod. Even more amazingly, the first song is entitled “The Waterfront West Berkeley at Night”: the exact place and time of day that they are performing their ritual. The Task Force members ecstatically listen to the new music, with several being driven to the point of involuntary orgasm. Throughout the night, word spreads throughout New BasedWorld of the drive’s existence, and suddenly, the followers of the Hunchback have a renewed sense of hope.
 
Games of Berkeley and Magic Cards
The next evening, thousands of Task Force members, old and new, join together in the town square of Berkeley, the last place that the Hunchback was seen alive. A Task Force party has commenced, with various games being played and the Based Music playlist blasting from the colony’s speakers. As it is nearing midnight, the townspeople are each given a magic life card, rumored to be the same life cards that were discussed in the BasedGod’s legendary philosophical diatribe [“Life on Earth”](). At the stroke of 12, the second of the BasedGod’s 13 secret instrumentals is played, as the crowd enthusiastically chants “Thank You BasedGod” along to the beat. The expectation is that the Hunchback will hear their prayer and reemerge by the end of the song. However, this was not to be the case: the instrumental ends, with the BasedGod nowhere to be found. For a moment, the Task Force is disheartened, wondering if the signs pointing to a return of the Hunchback were too good to be true. Then, seemingly out of nowhere, a shooting star flies across the Berkeley sky, the brightest and most brilliant star that anyone in the colony has ever seen. It continues to arc across the northwestern skyline and appears to land in the village of Albany, a formerly based territory which has been overrun with members of the Bitch Mob. The Task Force is again filled with a renewed sense of hope at this discovery, as they courageously follow the signs that could lead them to the Hunchback’s holy ascension.
 
Walking Through Albany California
Upon arriving in Albany, the Task Force members notice a contingent of Bitch Mob members huddled around a large crater, approximately one mile in diameter. Evidently, this is where the shooting star had landed. One of the senior members of the tribe is examining the star, which, contrary to its once large and brilliant appearance, has been reduced to the size of a small rock. Several Bitch Mob members now make their way into the crater to examine the fallen star. Then, seemingly out of nowhere, the once-dead star explodes into thousands of pieces, each piece shooting out towards the heads of a Bitch Mob member (though some less fortunate members wind up getting hit in the balls). When the star touches each member, it instantly uploads the third of the BasedGod’s secret instrumentals directly into their cerebral cortex. The Bitch Mob members are at first displeased at the lack of poorly mixed 808s and rattling hi-hats, but soon after, they begin to comprehend and enjoy the BasedGod’s alternative production style. Once the song has finished, they have all been converted into full-fledged comrades of the Task Force. The Berkeley delegation of Task Force welcomes their new brothers and sisters into the fold, and the group marches on to spread the word of the Hunchback’s return to the other villages.
 
The Sound of Being Bullied
While this is all occurring in the BasedWorld territories, something else entirely is beginning to unfold in the far away kingdom of Detroit, Michigan. Teejay Witherspoon, the Bitch Mob’s certified rarest hacker, leans back in his chair and slyly grins. His successful exploitation of the BasedGod a year ago has proven to be a major turning point in the young man’s life. His notoriety has allowed him to start a rap career of his own, with several music videos on YouTube having gone viral throughout the past 12 months. His loyalty to the Bitch Mob has been unquestioned, and he has since been promoted to a senior position within the fold. As he clicks his way through a darkweb laundering scheme one evening, he leaves to take a shit and, upon returning to his computer, notices that a mysterious golden USB drive has been plugged into the laptop. Only one file exists on the drive: an audio file entitled “The Sound of Being Bullied.flac”. Teejay curiously loads the file into VLC, and the instant the song begins, he is assaulted with a rush of crushing despair and depression. The title of the song spoke for itself. Teejay is experiencing the totality of the Hunchback’s negative emotions that had been fueled by his prior actions, but even more intensely, and as the emotions begin to amplify, he next notices that his physical being is being affected as well. His body is shaking uncontrollably, his skin is beginning to peel, his eyes are popping out of his skull. After four minutes and seven seconds of agonizing torture, his entire being bursts into flames, unable to handle the power of the BasedGod’s wrath. The song ends.
 
No Longer Afraid of the Dark
It’s dark. The air is still. The ground is hot. Water drips from the ceiling. The Hunchback, in a deep state of reflection, hasn’t moved a muscle for over 12 months. His shriveled body has been starved of nourishment and exercise, but fortunately, his weight gain has had the positive effect of having enough fat stored to keep him alive. The amount of based energy needed to have maintained this state of being has aged the BasedGod considerably. He has been devoid of almost any sense of perception for at least a few months. A faint glow radiates from his being. He has concentrated his powers to what was thought to be an unattainable degree of positivity. Before his extended withdrawal from society, the negative side of the force was something that the Hunchback struggled to put out of mind. At the level of based he now encompasses, the light of positivity is too grand for the BasedGod to fail. He is no longer afraid of the dark. And that’s because the dark no longer exists. The cavern has been filled with his based radiance. And the Hunchback is almost ready to return and spread this radiance throughout the land.
 
Nepal Wants the BasedGod
All across BasedWorld, shooting star sightings have been abound, and thousands upon thousands of Bitch Mob members have been converted to Task Force faithful. Even beyond the traditional confines of BasedWorld, rare star sightings have also been seen in the Bitch Mob’s disparate properties. A star lands in the Bitch Mob’s Nepalian expansion territory. After having its people cleansed with the power of the BasedGod’s sixth secret instrumental track, Nepal adopts a new constitution which entails all of its citizens to embrace the Hunchback’s teachings of optimism and self-love.
 
Taxi Around Town
The streets of Old BasedWorld have been in dire need of repair ever since the Bitch Mob ransacked the colony, but that doesn’t stop Travis, one of the land’s only remaining horse-drawn taxi drivers, from making a buck. One evening, he picks up a mysterious hooded figure in one of the town’s more dangerous districts. The man enters the carriage, greeting the driver with two words: “Hello, Travis.” The driver says nothing. The horses begin their trek through the streets, passing by a row of burning buildings. Travis breaks his silence. “It’s lit,” he says. “The buildings, that is. There’s only a few Bitch Mob members left at this point but they always blow these things up.” The figure feels more comfortable speaking to the driver: “I hear you got the nomination”. It dawns on Travis that this person must be almost exactly one year behind the times: has he ever even heard of Cardi B? Regardless, he plays along. “Straight up. Won’t be long now.” The figure smiles, quipping, “Well, I hope you win.” He then proceeds to remove his hood. Travis looks back and momentarily gasps. His composure returns soon thereafter. Unsure of how to proceed, he attempts to continue the conversation. “I… I read about you in the papers… How are you?” Knowing he’s referring to the suicides, the figure replies, “Oh, it’s nothing new, I got over that.” They sit in silence for the remainder of the ride. Soon, the horses come upon their destination, the edge of the BasedWorld Bay. The figure gets out of the car. Turning to Travis, he asks, “How much was it?” Travis is nearly speechless. He lets out one final Auto-Tuned “So long………..LA FLAME!” and the horses gallop off.
 
Berkeley California Before Lil B
A massive cleaning project has commenced throughout Berkeley. The townspeople have nearly all been converted to followers of the BasedGod by this point, and in a unanimous vote, the colony’s leaders choose to rid Berkeley of any and all trace of Lil B and his formerly effective propaganda. Murals are whitewashed, statues are torn down, and portraits are removed from public spaces as the eighth of the BasedGod’s 13 secret instrumentals is played on a loop. The many books proclaiming Lil B’s omnipotence are collectively burned to ash in the town square. Even saying the name “Lil B” is punishable by fine of up to $30,000, equivalent to the amount of money Lil B had charged for features (in contrast to the Hunchback’s extremely generous $0.01 minimum fee for a verse). The townspeople are once again a tight-knit unit of based human beings living their best lives. It was just like Berkeley California before Lil B.

Kennedy and Heidi: Vicarious Patricide as Tony’s Decompensation

At the risk of needless redundancy, I think it’s helpful to summarize Tony’s state of mind going into the episode Kennedy and Heidi. His consciousness is teeming with ancient but recently-agitated memories showcasing his father’s violence and toxic influence, like Johnny shooting a hole through Livia’s hairdo and baptizing him in the act of murder. He’s unable to shake stories of parental neglect leading to tragic outcomes for children. He’s painfully aware of Christopher’s hatred of him and desire for murderous revenge, feelings ultimately rooted in the fact that Tony guided him into the same corrupt existence into which he himself had been led by Johnny, Junior, and company, suggesting a reciprocal, if unconscious, rage by Tony towards those men. His subconscious mind is under constant assault from hats and movie posters and coffee mugs bearing the image of a bloody meat cleaver, an emblem of his own lost childhood innocence and inculcation by his father into his brutal, ugly vocation. He is racked with acute but intense guilt over the role he thinks his life’s example has played in shaping his son’s values and poor sense of self-worth. And he is still repressing a mountain of hurt over the fact that his uncle and second father tried not once but twice to kill him, a repression Melfi warned would someday result in a total collapse of his defense mechanisms, that is, a collapse of his paternal hero-worship and related quest for the macho validation that has prevented him from critically examining his father, uncle, and the men upon whom he modeled his life.
Now consider the circumstances immediately before the crash. Tony and Chris are on a routine drive back from business in Christopher’s new black Cadillac SUV (the first Cadillac Chris has ever owned, incidentally.) The conversation turns to life priorities. Chris, conspicuously clad in a Cleaver hat, specifically mentions how Kaitlyn has changed his priorities, and Tony mentions the “shit with Junior”. So the context is immediately pregnant with the fact that Junior shot and nearly killed Tony within the past year and with the fact that Chris is in a new place of responsibility, a position where he is, for the first time, truly the custodian and trustee for another life.
In a perfectly-timed illustration of just how ill-equipped Chris is to live up to those responsibilities, he nervously and repeatedly fiddles with the car stereo, fidgets, and widens his eyes, telegraphing to Tony that he is high as a kite on drugs. “Comfortably Numb” swells on the sound system as Tony stares at him, the lyrics underscoring that, in that moment, he does not see Chris as a youngster, as the “adorable kid” he once road around in the basket of his bicycle, but as a grown man:
When I was a child I caught a fleeting glimpse Out of the corner of my eye I turned to look but it was gone I cannot put my finger on it now The child is grown, the dream is gone
Chris swerves, and the crash happens seconds later.

Tony as the Child in the Carseat

It’s critical to note that Tony initially manifests every intention of helping Chris, even as he’s fighting his own injuries. “I’m comin’,” he says as Chris asks for help. His expression and demeanor only change when he realizes what Chris means by “help”. “I’ll never pass a drug test,” Chris moans. “What?” Tony asks incredulously as Chris is inhaling his own blood. Almost simultaneously, Tony turns towards the back and sees that a tree limb has penetrated the passenger compartment, lodging in Kaitlyn’s car seat like a spear. While Tony would somewhat exaggerate the size of the branch in later narrations of the event, there’s no question that it was large enough to have impaled or seriously injured an infant.
Even after this warning shot over the bow, Tony apparently intends to help Chris, coming over to the driver’s side and breaking the window when he couldn’t get the door open. He draws his cell phone to call for help but stops when Chris again mentions being doped up, which suggests that Chris is more concerned about the legal consequences of his intoxication than about the fact that he is drowning in his own blood, completely belying his claim to a life newly ordered around the lofty priority of fatherhood.
That’s the moment when Tony forms a genuine murderous intent, an intent that has little to do with Christopher’s animosity towards him or the danger that he might flip. Those are conscious, background motives that help Tony rationalize and make sense of his actions later. But the factor impelling him to end Christopher’s life is his own, fundamental identification with the child who might just as easily have been killed or seriously harmed in that carseat.
To objectify this point, there is a slow pan of the limb sticking through the seat as Tony performs the suffocation, clearly not a shot representing Tony’s vision or gaze at that moment but objectively corroborating the earlier angle when Tony glances back and we see the seat from his point of view. The juxtaposition of these shots – subjective and objective – tells me the carseat is not just a convenient excuse for Tony. This is what he’s really feeling. In this moment, he is the phantom child in that carseat, a child whose safety and well-being come second to his father’s corrupt values and reckless self-indulgence, a child whose soul and humanity are metaphorically impaled by riding in and being taught to drive his father’s black Cadillac.
The exclamation point on the symbolism is provided by Christopher’s hat. Incredibly, it remains on his head throughout the crash and suffocation, its bloody cleaver logo pointing towards Tony when the car comes to rest. As Tony acts consciously on behalf of an innocent child, the symbol of his own lost childhood innocence is directly before him. And, for good measure, the cap and logo stare back at him in the hospital from the gurney laden with Christopher’s bloody clothing and the black bag containing his dead body. (The logo antagonizes Tony a final time from his coffee mug the next morning before he angrily tosses the mug into his backyard woods.)
Several points about the suffocation itself are remarkable. First was the look of absolute depravity on Tony’s face as he watched Christopher struggle to breathe. This look was unlike any ever seen on Tony’s face at any other moment in the series. Even when committing other personal and deadly acts of violence, his face and demeanor had always betrayed a commensurate level of animus, an active, passionate intent. In contrast, he reached through the window and pinched Christopher’s nose – and maintained that hold – with remarkable calm. His face and eyes throughout the suffocation were paradoxically both incredibly intense and completely devoid of human emotion, a look far more disturbing than any look of mere rage he’d ever worn before.
Second, although this act was, in my judgment, clearly about the release of Tony’s pent up rage towards his father figures, the method of killing evokes Livia. Besides her conspiracy with Junior to kill Tony (which she rationalized was for his own good) and general obsession with stories of child deaths, she had once threatened to “smother [her children] with a pillow” to save them from a fate she deemed even worse. Tony grabbed a pillow intending to smother her in the season one finale before nursing home personnel intervened. In Members Only, Tony spoke of being smothered with a pillow as a suitable form of euthanasia. Its functional equivalent at the scene of the crash had a definite vibe of putting Chris out of his own – and everyone’s – misery. So, in killing his “father”, Tony was also paradoxically suffocating his “son”, thereby channeling Livia’s filicidal urges and concept of mercy killing.
The most spine-tingling resonance with the scene comes from two season four episodes where Tony’s deep identification with “innocents” – be they children or animals – once again comes to the fore, as does his appreciation for the consequences of Chris continuing to use drugs. In Whoever Did This, Tony warns Christopher that he “can’t be high on heroine and raise kids.” And in The Strong, Silent Type, after learning that a doped-up Chris accidentally smothered and suffocated Adriana’s dog, Tony ominously snaps, “You suffocated little Cossette? I oughta suffocate you, you prick!” It’s such perfect foreshadowing that the earlier episodes seem to have been written with the outcome of Kennedy and Heidi in mind.

Righteous Retribution as the Explanation for Tony’s Lack of Sorrow

As previously noted, the most troubling aspect of the episode from the standpoint of character consistency and plausibility was not the fact that Tony murdered Chris. It was his vacuous expression during the killing and the fact that he never betrayed a moment’s genuine sorrow or regret afterwards. He remained, in fact, defiantly happy and unconflicted about it, especially to Melfi, and was sincerely troubled that neither she nor anyone else could see how Christopher’s death rescued Kaitlyn from a lifetime of risks and harm that she would naturally suffer as the daughter of a drug addict (and mob captain).
In his therapy scenes with Melfi, real and dream, Tony even makes the very contrast I raise, noting that he’s never felt this way after murdering any other person close to him. He alludes to his sorrow over Pussy and specifically allows that murdering Tony B left him “prostate [sic] with grief.” In effect, Tony himself is revealing that this killing feels righteous and justified to him on an instinctive level and is therefore not one about which he can feel guilt or sorrow.
That sentiment makes no sense if his dominant motives were those he talked about in therapy: Christopher’s animosity and resentment towards him after the Adriana hit and his drug-use and consequent risk to flip. Whatever weight those factors carry in justifying murder in the corrupt “ethics” of the mob (which, in any case, is less than the weight of the transgressions by Pussy and Tony B), they carry absolutely no legitimate moral weight outside it and could not sustain in Tony the sense of just triumph that he felt in response to Christopher’s death. What could inspire that sense of triumph is the perceived liberation of a child from a dangerous and toxic father, experienced subconsciously as vicarious retribution for the abuse and harm he himself suffered at the hands of his own father and uncle.

Significance of the Names “Kennedy” and “Heidi”

“Kennedy” and “Heidi” are the names of the young passenger and driver, respectively, in the car that sideswipes Christopher’s SUV before the fateful crash. The girls are barely onscreen a few seconds, just long enough to (somewhat artificially) learn their names in the following exchange:
Kennedy: Maybe we should go back, Heidi! Heidi: Kennedy, I’m on my learner’s permit after dark!
Much forum debate after the first airing of the episode centered around the significance, if any, of these names. I propose a related but even more basic question: why are the girls present in the scene at all?
Tony’s windfall opportunity to murder Chris and pass it off as death from accidental injury was entirely dependent upon being unobserved by others after the crash. Given Christopher’s intoxicated state and inattention to the curvy road while he fiddled with radio controls, a mere swerve and over-correction or swerve to avoid an animal (Tony’s crash with Adriana, anyone?) would have easily sufficed to trigger the accident but without the problematic involvement of another car, the driver of which would have to be made to flee the scene illegally and in contravention of the ethics and instincts of at least 95% of the motorists on the road. So the very fact that another car is involved, complicating both the story and the filming, suggests some symbolic or subtextual design to the involvement related specifically to the momentous event occurring right after the crash.
One aspect of that design is revealed and amplified when a grieving Kelly shows up at Christopher’s wake with dark hair framing her face and large, dark sunglasses covering her eyes. A member of the crew remarks, “Look at her. Like a movie star.” An odd look immediately crosses Tony’s face as he spontaneously responds, “Jackie Kennedy”, noting Kelly’s resemblance to the widow of John F. Kennedy.
In my mind, this striking moment in the episode can have only one purpose, and that’s to evoke Johnny Boy in relation to Christopher via a kind of symbolic math. If Kelly = Jackie Kennedy, then Chris = JFK = Johnny Boy since JFK was the explicit parallel figure for Johnny in In Camelot, the first episode of the series depicting cracks in the foundation of Tony’s paternal hero worship. When that foundation completely crumbles inside Tony’s subconscious a season and a half later, it’s entirely fitting that the JFK/Johnny parallel is renewed.
As for the name “Heidi”, most folks around these parts felt it was meant to evoke the idea of “orphan” because of the famous Swiss orphan tale of the same name and because Kaitlyn (and Paulie) both lost parents in the episode. That’s an entirely plausible analysis that requires no expansion, although I’m inclined to think there’s more to it than that, starting with the analogy of Tony himself to “Heidi”. No, Tony was never technically orphaned, though he arguably suffered more as the son of Johnny and Livia than if he had been. He was certainly deprived of real parental love and guidance, on both sides, and that roughly equates to the definition of “orphan”.
Before discussing this episode for the first time, I never knew that Heidi was the story of an orphan, only that it was some kind of tale for children. And I knew that only because of the epic 1968 football game between Joe Namath’s Jets and the Oakland Raiders, the climactic ending of which (an improbable comeback by the Raiders) was cut off abruptly for television viewers at the end of its scheduled broadcast slot so that a movie version of Heidi could begin airing on time. I was only four at the time of this debacle but recall my parents talking about it – and the considerable chaos it caused at NBC and at telephone switchboards around the country – for years afterwards. http://en.wikipedia.org/wiki/Heidi_Game
It wouldn’t become clear until the end of Made In America, but there’s an obvious parallel to the Heidi phenomenon in the wind-up of The Sopranos. Consider that, like the Heidi Game broadcast, Made in America featured an abrupt, unexpected termination of excruciatingly tense action at a penultimate moment, pre-empting audience experience of what appeared to be an imminent and momentous climax. The Sopranos ending may not have disabled an entire telephone network, but it certainly generated an enormous amount of controversy that, for better or worse, persists to this day.
Beyond that, there were enough other football references in the final Sopranos episodes, and especially Jets references, to warrant further consideration of this football connotation for “Heidi”. In Remember When, Tony’s betting losses on Jets football games prompt his call to Hesh for a bridge loan. Later that same episode, Paulie annoys Tony and company with yet another old tale, this one relating how, after witnessing Joe Namath stagger drunk into a bar the night before a game, he bet a load of cash the following day on the Jets’ opponent. In Chasing It, Tony gets inside information on a Jets football game and is irate when Carmela refuses to bet money on it. The episode features a closeup of a large newspaper headline, “Jets Bomb Chargers”.
In Blue Comet, then-current coach of the Jets, Eric Mangini, makes a cameo appearance in Vesuvio, with Artie informing a suitably-impressed Tony so the two can go over and shake hands. News articles at the time clarified that the cameo wasn’t Mangini’s idea but the idea of Sopranos producers, who contacted him months in advance and made accommodations in the shooting schedule around his availability. So this seemed more than a casual desire to have some generic celebrity show up.
That especially seems true considering Mangini was given no dialog and that his meeting with Tony and Artie was only depicted in the silent background of a conversation between Charmaine and Carmela. Mangini’s only purpose on set was apparently to show his face briefly and to have the fact of his identity (Tony has to tell a bewildered Carm that Mangini is the head coach of the Jets) permeate the minds of the audience and the subtext of the scene, which is ultimately about chickens coming home to roost on Tony and Carmela because of the lives they chose.
As alter egos for Tony and Carmela throughout the series, folks who took the proverbial “other path” in life, Artie and (especially) Charmaine engage in subtle gloating in the scene. Football coaching was firmly established as Tony’s “road not taken” in Test Dream, so having an actual football coach present in the episode where the unsavory and downright deadly consequences of his chosen vocation are crashing in all around him provides dramatic ballast. All the better to have the coach in the scene be the coach of the team involved in the Heidi game in view of the ending planned for the following episode.
And speaking again of that ending, the wall behind Tony in Holsten’s is consumed with four large murals specifically brought in by the production crew for the shoot. The largest and most centered depicts a huge, light-colored building with lots of windows, somewhat reminiscent of the Inn at the Oaks in Tony’s coma dream. It’s apparently a high school, however, as it is flanked on either side by images of football players in full uniform with what appear to be names and year of graduation engraved at the bottom. To the side and extreme left is a mural of a tiger and the caption “Class of 1973” at the bottom. The tiger is presumably the mascot for the team and school represented in the other murals. So there is a strong symbolic presence of “football” in the last scene of the series, particularly of high school football from roughly the era when Tony would have entered high school.
Finally, though it may be completely insignificant, when Tony tells Carm about the accident from his hospital stretcher in Kennedy and Heidi, he mentions that he re-injured his knee, “the one from high school.” That certainly sounds like a reference to an old high school football injury.
If these loose strands from multiple episodes are indeed intended to connote football in relation to the name “Heidi”, what does that actually mean in the context of the episode Kennedy and Heidi? What does football have to do with Tony killing Chris or, more precisely, with him killing his father in the guise of Chris?
The linchpin in that symbolism, it seems to me, is Tony’s old high school football coach, the guy who would have been his coach when he originally injured his knee, the guy Tony dreamt repeatedly of trying to silence or kill, the guy whose puzzling duality in Test Dream suddenly makes sense when he’s viewed as a classic, Freudian composite of opposites, specifically a composite of Tony’s opposing father figures with Johnny dressed in the physiognomy of Coach Molinaro by Tony’s subconscious in order to render acceptable imagery of his latent, patricidal feelings.
If you further allow, as I do, that the Johnny look-alike shooting at Tony with a scoped rifle (ala Oswald/”Kennedy”) in that same dream is yet another Freudian “reversal into the opposite” by Tony’s subconscious to disguise his repressed paternal rage, then the Kennedy/Heidi connection is pretty clear. The names are presented proximate to the crash to connote that, in killing Chris, Tony has finally acted out the Test Dream imagery that haunted him for years: he has (symbolically) killed his father, the “Kennedy” and “Heidi” of his dream.

“He’s Dead”

In my judgment, this explains Tony’s otherwise puzzling, peyote-induced insight when he proclaims, “He’s dead,” after winning at roulette on 3 successive spins, prompting him to fall to the floor in spectacular and uncontrollable laughter. What other, real death could have inspired such a euphoric and epiphanic reaction? What real death could Tony only have appreciated while in a drug-induced, altered state of consciousness?
Many felt the line referred to Christopher because he’d just died, obviously, and because Tony’s gambling luck suddenly changed afterward. That analysis never made sense to me.
First, Tony plays roulette at the casino while sober when he first arrives in Vegas and loses every round. Chris was already dead at that time, as Tony well knew and accepted. Indeed, Tony was never in any state of denial about Christopher’s death (or about having killed him.) He embraced it, both consciously and in his dream therapy session with Melfi after the crash.
The “he’s dead” insight occurs only after Tony takes peyote and notices a sudden and complete about-face in gambling luck. Why would he need psychedelic drugs to suddenly realize what he already knew and accepted about Chris? And why would Christopher’s death be tied in his mind to his own gambling luck anyway? No prior connection between those two things had ever been suggested.
On the other hand, Tony’s sudden escalation in gambling, which coincided with the agitation and intensification of his latent rage towards his father(s), could easily be seen as a subconscious rebellion against the stern, anti-gambling lecture Johnny imparted the night Tony witnessed the cleaver incident. To the extent that the rebellion results in huge financial losses and self destruction, it obviously fails. His father retains ultimate power and authority. To the extent the rebellion results in huge winnings, it succeeds, and Tony vanquishes his father.
That conquest was the ineffable and elusive “high” that Tony was subconsciously pursuing in Chasing It but which he could not articulate to Melfi. Thus the sudden change in gambling fortune on his Vegas trip is easily tied in Tony’s drug-altered psyche to a euphoric realization that he has conquered or symbolically killed his father, none of which Tony could appreciate without a vastly altered state of consciousness.
And that leads to why he went to Vegas in the first place. He asks that question out loud to the Vegas prostitute, Sonia, immediately before admitting that Christopher once mentioned taking peyote with her. Tony then confesses to having always wanted to try the drug.
Clearly, then, he didn’t just happen to pick Vegas and didn’t just happen to make contact with this girl. His subconscious was pushing him to that venue because he craved the enlightenment of a peyote experience. So while Tony’s real motives for the murder, and for his otherwise inexplicable jubilance afterward, were completely closed off to his conscious mind, somehow he sensed their existence and yearned to unlock and understand them. However his peyote revelations didn’t stop with simply understanding why he killed Chris.

“I Get It. I Get It!”

Tony’s desert epiphany is a bookend to his near-death coma experience and, I believe, can only be fully understood in relation to it. Yet exploring that relationship is a journey all unto itself, calling not only for consideration of the coma episodes and Kennedy and Heidi but the meaning of the cut to black that ends the series. While exploring the religious and spiritual underpinnings of those episodes is of even more weight and interest to me personally than the issue of Tony’s motives in killing Christopher, it deserves and demands its own, dedicated discussion. For now, I’d simply like to posit what I strongly believe Tony’s epiphany to have been with only minimal argumentation as to why I hold that belief.
The epiphany is presaged when Tony enters the casino on his peyote trip and notes that the roulette wheel is built on the same principle as the solar system. The ball spins round and round the center or “sun” of the wheel because of two delicately-balanced but largely opposing phenomena: the momentum of the ball (which, without the wheel, would carry the ball away in a straight line) and the centripetal force of the wheel (applied by the rim, which continuously pulls the ball towards the center even as the ball’s momentum continuously pulls it on a path perpendicular to the centripetal force.) The antagonism (or cooperation, if you prefer) of the forces gives rise to a unified system: an orbit.
If this sounds a bit like the Bell Labs scientist’s explanation of how two tornadoes are in fact just facets of one, unified system of wind, it’s likely no mere coincidence. As Hal Holbrook’s character argued, separateness is a mirage. The universe, and everything in it, is one big soup of molecules interacting in cause/effect fashion according to laws, making it one whole, not a bunch of discrete parts. “Everything is everything,” as the black rapper reduced it.
That was the philosophy that really made an impression on Tony in the days and weeks following his coma. The principles of quantum physics articulated by Holbrook’s character are likely as close as you can get to a scientific codification of Bhuddism and therefore reinforced much of what the Bhuddist monks conveyed to Tony in his coma. The monks laughed when Tony claimed he wasn’t Finnerty and explained that there really is no “you” and “me, that death would bring an obliteration of individuality. Separate consciousness – and the consciousness of separateness – is an illusion of the living.
So all this laid the philosophical groundwork for Tony’s Las Vegas trip. In that trip, Tony seeks out a girl with whom Chris had slept, then sleeps with her himself. He mentions having refrained from a longstanding desire to try peyote because he always felt the weight of his responsibilities, an implied contrast to Christopher, who always indulged in drugs despite his responsibilities. The idea that Tony was seeking to almost live life in Christopher’s skin in the Las Vegas portion of the episode was something several posters mentioned in first discussions after Kennedy and Heidi aired. Even the girl, Sonia, remarks how similar Tony and Chris are, a somewhat dubious observation that somehow offends Tony but which also helps define his impending epiphany.
That epiphany is spurred when the rising sun flares at him over the desert mountain vista. This recalls Tony’s earlier comparison of the roulette wheel to the solar system. It also resonates completely with the fact that Kevin Finnerty was a solar heating salesman from Kingman, Arizona, a town which, not coincidentally, lies 95 miles southeast of Las Vegas and shares the same desert landscape. Also not coincidental, IMO, is the fact that in the prior episode, Christopher spoke of the perks of joining witness protection and of “living large” in Arizona.
So I believe that, in that desert sunrise on the cusp of Arizona, in fulfillment of his identity as Kevin Finnerty, solar heating salesman, Tony saw his “son” – Christopher – “rise” and realized that, in murdering him days before, he (Tony) was really “rising” as a “son” against Johnny Boy. And in that linkage, he suddenly realized that “everything is [indeed] everything.” He is both Chris and Johnny Boy, both abused and misguided son and abusing, misguiding father. He is murdering uncle and would-be murdered nephew. He is both the mother that sees suffocation as mercy killing and the son who is suffocated. Christopher is both his son and his father. Johnny Boy is Coach Molinaro. “Kennedy” is “Heidi”. Opposites are really two sides of the same coin. In that fleeting moment of insight, Tony was truly feeling “one” with the universe.

The Second Coming

The episode following Kennedy and Heidi is titled The Second Coming after the Yeats poem that grips AJ in the English lit class he’s auditing. While the poem speaks to the bleakness of his depression and outlook on life at that particular time, there’s little doubt that – like everything of substantial weight in the Sopranos universe – it ultimately relates, first and foremost, to Tony. First referenced in the Cold Cuts therapy session dealing with pent-up rage where Tony’s deep shame from the cleaver incident is finally revealed, the poem seems the veritable inspiration for the storyline (as interpreted in this article) that culminates in Christopher’s murder:
The Second Coming By William Butler Yeats
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight; somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
The widening gyre, the orbit that breaks down when the center can no longer hold, is clearly a parallel to the decompensation of which Melfi warned, the point at which Tony’s defenses after Junior’s second murder attempt could no longer hold and the underlying pathological rage at his fathers would take over. True to the poem, a “blood-dimmed tide was loosed”, inspired by a perverse compassion for the “innocent”. While “the best” all mourned Christopher and thought his death a tragedy, Tony, “the worst”, was full of passionate intensity and could not understand why no one else saw the greater good in Christopher’s death.
The “revelation” occurs in a “waste of desert sand”, imagery easily compatible with Tony’s “I get it” moment in the Nevada/Arizona desert. The uniquely depraved look on his face as he suffocated Christopher is evoked by the line describing a “gaze as blank and pitiless as the sun”. “Twenty years of stony sleep” refers to the decades of denial Tony maintained, the defense mechanisms that kept him all his life from confronting and admitting that, in some very real ways, he hated his father. It’s a figurative sleep that was suggested literally in the noted fact that so many episodes in season 6B started with Tony in a deep sleep. Somnolence was suggested even in the choice of the song “Comfortably Numb” as soundtrack in the moments immediately preceding the crash, the moments right before the hour of the “rough beast” finally arrived. Even the incidentals are perfect allusions, as with the image of “stony sleep” being turned into a nightmare by a “rocking cradle”, or, in this case, by a car seat with a branch sticking through it.
I’m intrigued by the line describing the emerging beast as having “lion body”. It may mean absolutely nothing. But among the story points worth considering in relation to it are the tiger on the wall in Holsten’s and the enigmatic cat in Made In America.
More obscure is the fact that in Remember When, the single episode most explicitly dealing with the violent release of stifled paternal rage, Carter Chong described his grandfather as a “lion” and noted that his father owned “Grumman” stock. (Grumman manufactured a number of high-profile fighter military aircraft, most of them named for some kind of cat, e.g., Panther, Jaguar, Tomcat, Tigercat.) Carter was reviewing these facts to himself in the scene immediately preceding his vicious attack on Junior, suggesting that, in acting out on his stifled paternal hatred, he was adopting the predatory, aggressive characteristics of a wild cat. Notably, when Junior, the paternal surrogate who modeled this kind of aggressive behavior to Carter, was seen at the end of that episode bruised and literally defanged, his sunken mouth void of false teeth, he was stroking a harmless little housecat on his lap. Once a lion, the former mob boss was a lion no more.

Asbestos Dumping as a Metaphor for Tony’s Toxic Spill of Rage

Kennedy and Heidi opens with a controversy between Tony and Phil Leotardo over asbestos disposal. One of Tony’s contractors was removing asbestos from old buildings, while following none of the strict (and expensive) asbestos-handling laws regulating worker and public safety, and was seeking to dump completely uncontained truck-fulls at waste stations controlled by Phil. Phil’s guys were denying the trucks the right to dump. As a consequence, huge, openly-smoking asbestos mounds were building up at job sites.
After Christopher’s death, Tony was doing little to find a solution, skipping town to gamble, get laid, and get high and leaving the contractor high and dry. Finally, near the very end of the episode, the contractor dumps heaps of asbestos at dawn in an open marsh area resembling the New Jersey Meadowlands.
Asbestos is a naturally occurring mineral that gained widespread use in the 19th and 20th centuries as an ingredient in various building industry materials – including wall compounds, insulation, and roofing materials – primarily because of its extreme insulative properties and resistance to heat and fire. In the last 40 years, it’s become better-known for its cancer-causing and toxic effects on those mining and working with it in manufacturing, demolition/remodeling, or other “raw” environments.
Both the heat resistance and toxicity of asbestos make the shoddy removal/dumping storyline a compelling metaphor for Tony’s equally shoddy “dumping” in Kennedy and Heidi. The smoldering heat and flames from his hatred towards his father and uncle were contained beneath his consciousness by an insulating firewall of denial and repression. In essence, this denial and repression was Tony’s psychological asbestos, and it (more or less) contained the heat and fire within him for 47 years.
But it finally broke down, allowing the flames to rage and do damage and necessitating a messy disposal. Unfortunately the breakdown didn’t happen where it should have, in his therapist’s office as the result of honest introspection and dialog about little things like his uncle trying to kill him twice and his father indoctrinating him to murder at 22. That would have been the equivalent of careful, legally-compliant asbestos removal. Instead the breakdown occurred in a roadside ravine and the resulting “waste [in the] desert sand” was every bit as toxic as the smoking piles illegally dumped in the Meadowlands immediately before the desert epiphany and which we saw reprised in the very first shot of the following episode.
Think about that for a moment. Tony’s “I get it” moment was literally sandwiched between shots of noxious mounds of asbestos blowing in the New Jersey wind, a significant clue that some other kind of perversely cathartic disposal was in the middle of that sandwich.

The Orbit of the ‘Blue Comet’: Long Journey to Nowhere

It’s fair to ask: if the broad strokes of my interpretation are valid, what impact did the epiphany have on Tony going forward? After the drugs wore off, did he actually retain any specific understanding of his subconscious motives for killing Chris? Was he left only with the impression that he had enjoyed a very brief moment of enlightenment but without intellectual distillation of the enlightenment itself?
Because the insight was founded upon the secret that he had murdered Chris, even if Tony had retained it, he couldn’t overtly share it with anyone. Still, I lean toward the interpretation that the specifics (at least the ones I proffered) were lost to him when the altered state of consciousness ceased. When he tried to describe the magic of what he experienced in the desert to his crew, he could only come up with the most mundane, inadequate words: “The sun . . . came up.” They all looked at him like he was half retarded.
He was slightly more specific with Melfi, offering that he saw “for pretty certain” that this reality is not all there is. He couldn’t define the alternative but was still convinced there was “something else”.
He did speak in therapy of appreciating a balance and unity in opposites that he hadn’t appreciated before, a “ying” [sic] and “yang”. And he offered that “mothers are like buses . . . the vehicle that gets us here,” but that, once here, we are all on our own, individual journeys (mothers included.) So, to the extent his epiphany comported with what he revealed in therapy, it seems to have had little to do with fathers and with Christopher’s murder and more to do with letting go (finally) of some of his issues with his mother.
But perhaps the best clue to his residual state of understanding came when he indicated that some of what he thought he had grasped in the desert now eluded him. “You think you know, you think you learn something . . . like when I got shot,” he begins. Then, speaking specifically about the peyote experience, he reports that the insight gained is “kinda hard to describe. . . . You know, you have these thoughts, and you almost grab it . . . and then . . . ftt.” He flicks his fingers away from his chin as if to indicate “nothing”. So, to paraphrase Edna St. Vincent Millay, a fragment of what he knew remains, but, apparently, the best is lost.
It wouldn’t take long for all of it to be lost. By the time Tony sits with AJ’s female therapist in Made In America, “going about in pity” for himself because of who his mother was, he has come full circle, essentially back to where he was to start the series. Like a “blue comet”, his orbit was highly elliptical, if not erratic, and carried with it the potential of veering off into deep space or crashing into the sun. But despite killing his own nephew, having a near-death experience himself, and saving his son from an act of suicide, the orbit held. The sober breakthrough never came. The repudiation of his father and of his way of life never took hold in his consciousness. And so, by series’ end, we, like Tony, were exhausted from a long journey that ultimately took us nowhere.
Part 1
Part 2
Part 3
Part 4
Part 5

• 1. Studio LPs & EPs

1965 Jokers Wild (Dave Gilmour)(320)
1966 Tonite Let's All Make Love in London
1967 Arnold Layne
1967 Relics
1971 Pink Floyd - Relics (Remaster AU 1987 CDAX 701290)
1967 Scream Thy Last Scream
1967 See Emily Play & Scarecrow EP (Remaster UK 2007 Bonus CDM 40th ADEd. 50999 5 03919 2 9)
1967 The Piper At The Gates Of Dawn (UK Stereo First Pressing 24bit-96khz)
1968 A Saucerful of Secrets
1968 Pink Floyd - A Saucerful Of Secrets (Remaster Japan 1988 CP32-5272)
1968 It Would Be So Nice
1968 Point Me at the Sky
1969 OST More (Remaster Japan 1987 CDP 7 46386 2)
1969 Soundtrack From The Film More
1969 Ummagumma
1969 Zabriskie Point e Ultimate Z. P
1969 Ultimate Zabriskie Point [FLAC]
1970 370 Roman Yards 1970 (The Lost Zabriskie Point Album) [MP3]
1970 Pink Floyd - Atom Heart Mother (Remaster US 1994 UDCD 595)
1970 Pink Floyd - Atom Heart Mother (UK LP EMI Harvest SHVL 781 24bit-96khz)
1970 Roger Waters - Music From The Body (Soundtrack)(320)
1970 Syd Barrett - Barrett
1970 Syd Barrett - The Madcap Laughs
1971 Pink Floyd - Meddle (Remaster Japan 1988 UDCD 518)
1971 Meddle - 24-96 Vinyl Rip (FLAC)
1971 One Of These Days Single Vinyl 7 (Italy 1971 EMR-20388)
1972 Pink Floyd - Obscured By Clouds (Remaster US 1987 CDP 7 46385 2)
1973 Money Vinyl 12 (Remaster Netherlands 1981 Vinyl 12 1A K052Z - 78068)
1973 The Dark Side of the Moon - (Vinyl LP 24-96 UK Remaster 30 Harvest SHVL 804 24Bit 96kHz) - 200g Vinyl Rip (FLAC) - Audiophile MFSL Pressing VINYL {FR1 Cartridge SYBORG} - Unreleased Tracks
1975 Wish You Were Here
1975 Pink Floyd - Wish You Were Here (Remaster UK 1984 CDP 7 46035 2) & Unreleased Tracks
1977 Animals- (2016 Master) VINYL {FR1 Mk3 Cart} - (2016 Master) VINYL {Stanton 881 Cart} - (Remaster US 1985 CK 34474) - (Vinyl LP 24-96 US Columbia First Pressing JC 34474 24Bit 96kHz)
1978 David Gilmour - David Gilmour
1978 Rick Wright - Wet Dream
1979 The Wall - (Remaster Germany 2007 2xCD CDS 7 46036 8) - (Remaster US 1989 2xCD UDCD 2-537) - US UltraDisc 2CD- (UK Vinyl 2xLP 24-96 SHDW 411 24Bit 96kHz) - The Wall Work In Progress
1981 Nick Mason's - Fictitious Sports
1983 Not Now John Vinyl 7 (UK 1983 HAR 5224)
1983 The Final Cut (Remaster EU 2007 Oh By The Way Boxset CD14 50999 511267 2 8, 511 2672)
1983 The Final Cut (US 1983 QC 38243)
1984 David Gilmour - About Face
1984 Rick Wright - Zee Identity
1984 Roger Waters - The Pros And Cons Of Hitch Hiking
1986 Roger Waters - When The Wind Blows
1987 A Momentary Lapse Of Reason - [1987] [FLAC] - [2019] Remix
1987 Roger Waters - Radio K.A.O.S. (320)
1992 Roger Waters - Amused To Death
1994 High Hopes & Keep Talking (France 1994 CDM 881 777 2)
1994 Take It Back (Netherlands 1994 CDM 7243 8 81278 2 0)
1994 The Division Bell - (2014) [HD Tracks] 24.96 - (Japan 1994 SRCS 7324) - [UK 1994 Vinyl 24-96 EMD 1055]
1996 Rick Wright - Broken China
2002 Roger Waters - Flickering Flame
2004 Roger Waters - To Kill The Child & Leaving Beirut (Single)(320)
2005 Roger Waters - Ca Ira
2006 David Gilmour - Arnold Layne EP
2006 David Gilmour - On An Island
2006 Smile (1-Track EU Promo CD Single)(320)
2006 Smile (2-Track EU CD Single)(320)
2007 Roger Waters - Hello (I Love You)(Single)(192-320)
2010 The Orb and David Gilmour - Metallic Spheres
2014 The Endless River

• 2. Live

1967-03-18 My Uncle Is Sick Because The Highway Is Green
1967-09-13 Starclub, Copenhagen
1967-09-25 BBC Playhouse Theater, London (BBC Sessions)
1967-10-30 Games for May - England
1967-11-13 Ahoy, Rotterdam, NL
1968-02-24 Bouton Rouge
1968-05-06 First European International Pop Festival, Piper Club, Rome
1968-05-23 Paradiso, Amsterdam (Late Show)
1968-07-27 Shrine Exposition Hall, Los Angeles
1968-12-28 Margriethal, Jaarbeurs, Utrecht
1968-12-28 Owed To Syd Barrett
1969-03-27 Saint James Hall, Chesterfield, England
1969-04-14 Royal Festival Hall, London
1969-04-27 Careful With These Tracks
1969-05-09 University Of Southampton, Hampshire, England
1969-06-22 Free Trade Hall, Manchester, England
1969-06-26 Royal Albert Hall, London
1969-08-08 The Journey Through the Past
1969-08-09 The Paradiso, Amsterdam - Celestial Instruments
1969-09-17 Amsterdam '69 (TSP-CD-052) 1990 [VBR]
1969-09-17 Complete Concertgebouw
1969-10-11 Song Days Festival, Essen
1969-10-19 Around the Mystic - London
1969-10-25 Interstellar Zappadrive - Mont de L'Enclus, Amougies, Belgium
1969-11-21 Montreux Switzerland
1969-12-06 Afan Lido Sports Center, Port Talbot, Wales
1969-71 Echoes Of Atom Heart Mother
1969-73 Rare & Live Tracks - 3cds
1970 - 1971 Eclipse (2001)
1970 Fat Old Gigs 4cd
1970 Pepperland In The West
1970-01-18 Fairfield Hall, Croydon, Surrey
1970-01-23 Hotel de Champs-Elysees a Paris, Paris
1970-02-11 Town Hall, Birmingham
1970-02-28 Refectory Hall, Leeds University, Leeds, Yorkshire
1970-03-12 A Trick of the Light
1970-03-13 The Injustice of a Kaleidoscope Sound
1970-03-14 Meistersinger Halle, Nuremberg
1970-03-15 Niedersachsenhalle, Hannover
1970-03-20 Akademiske Foreningens Store Sal, Lund, Sweden
1970-04-11 Gymnasium, SUNY, Stony Brook, NY
1970-04-22 Capitol Theater, Port Chester, NY
1970-04-29 [HRVCDR016] Interstellar Fillmore - San Francisco, CA
1970-04-30 [HRVCDR034] - KQED
1970-05-01 Civic Auditorium, Santa Monica, CA
1970-06-27 Bath Festival Of Blues And Progressive, Shepton Mallet, Bath
1970-06-28 Holland Pop Festival, Kralingen, Rotterdam (JFE remaster)
1970-07-12 Open Air Pop Festival Aachen, Aachen Soerser Stadium
1970-07-16 Focus - Paris Theater, Regent Street, London, England - BBC FM
1970-07-16 Libest Spacement Monitor (TSP-CD-027 1989)
1970-07-16 Mooed Music - BBC Session Live, Paris Cinema, London
1970-07-18 Hyde Park, London
1970-08-08 Les Nuits Musicales, Saint Tropez (Pop 2 TV Show)
1970-09 & 1971-03 - Eclipse - APE
1970-09-12 Parc De Vincennes, Paris
1970-09-16 Pink Is The Pig (Live In London)
1970-09-16 Pink Floyd - Focus 1971 [FM]
1970-09-16 Playhouse Theatre, London
1970-09-16 Rhapsody In Pink (Italy 1990 LLRCD 044)
1970-09-26 Electric Factory, Philadelphia, PA
1970-09-27 Fillmore East, New York City, NY (Early Show)
1970-10-17 Pepperland Auditorium, San Rafael, CA
1970-10-23 Creatures Of The Deep Disc 1-3
1970-10-23 Santa Monica Civic Auditorium, Santa Monica, CA
1970-11-06 Mind Your Throats
1970-11-07 Grote Zaal, De Doelen, Rotterdam
1970-11-11 Conserthuset, Gothenburg
1970-11-12 Falkoner Centret, Fredriksberg, Copenhagen
1970-11-13 Vejlby Risskovhallen, Aarhus
1970-11-14 Ernst-Merck-Halle, Hamburg
1970-11-21 Smokin' Blues (Montreux Casino, Montreux )
1970-11-22 Altes Casino, Montreux - Swiss Made
1970-11-25 Fridrich Ebert Halle, Ebertpark, Ludwigshafen
1970-11-26 Messehallen, Stuttgart
1970-11-29 Circus Krone, Munich
1970-12-22 City Hall, Sheffield
1971 Atom Heart Mother Goes On The Road
1971-02-12 Lecture Theatre, University Of Essex, Colchester
1971-02-13 Students Union Bar, Technical College, Farnborough
1971-02-25 Grosser Saal, Musikhalle, Hamburg
1971-02-26 Stadthalle, Offenbach
1971-04-03 Oude Ahoy, Rotterdam
1971-05-15 Crystal Palace Garden Party, London
1971-05-18 Pathfoot Building Refectory, Stirling University
1971-06-04 Philips Veranstal Tungshalle, Dusseldorf
1971-06-05 Echoes - The Return of the Son of Nothing (West Berlin)
1971-06-05 Sportspallast, Berlin - Mauerspechte
1971-06-05 Vierundzwanzig Teile von Nichts (HRV-CDR-029)
1971-06-12 Palais Des Sports, Lyon
1971-06-19 Palazzo Delle Manifestazioni Artistiche, Brescia
1971-06-20 Palaeur, Rome
1971-06-26 Amstel Free Concert, Amsterdamse Bos, Amsterdam
1971-07-01 Ossiach Festival Stitschoff, Ossiach
1971-08-06 Hakone Aphrodite, Hakone, Japan
1971-08-09 Festival Hall, Osaka
1971-08-13 Festival Hall, Melbourne
1971-09-18 Live in Montreux
1971-09-23 KB Hallen, Copenhagen
1971-09-30 Meddled
1971-09-30 Meddler
1971-09-30 One Of These Days (TSP-CD-034 1989)
1971-09-30 Paris Cinema, London
1971-10-04 HRVCDR010 - Pompeii Rev B
1971-10-04 Live at Pompeii - Remains
1971-10-04 Pompeii (Remaster Netherlands PFP-A0118)
1971-10-04 to 07 In The Shadow Vesuvius - Italia
1971-10-04 Volcanic Destruction
1971-10-07 Live At Pompeii
1971-10-10 Great Hall, Bradford University, Bradford, Yorkshire
1971-10-16 The Eye of Agamotto - Civic Auditorium, Santa Monica
1971-10-17 Convention Hall, Community Concourse, San Diego
1971-10-17 From Oblivion
1971-10-17 Wind And Seabirds - Convention Hall, San Diego
1971-10-27 Auditorium Theatre, Chicago, IL
1971-10-28 Hill Auditorium, Ann Harbor, MI
1971-10-31 Fieldhouse University Of Toledo
1971-11-05 Hunter College - New York City, NY
1971-11-06 Case Western Reserve University, Cleveland, OH
1971-11-10 Labyrinths - Pavillion De La Jeunesse, Quebec
1971-11-12 Irvine Auditorium, State University, Philadelphia, PA
1971-11-16 Something from Nothing
1971-11-16 The Return of the Sons of Nothing
1971-11-20 Embryonic Madness
1971-11-20 One Of Those Days
1971-11-20 Taft Auditorium, Cincinnati, OH
1971-11-20 Taft Auditorium, Cincinnati, OH (2-source blend)
1972-01-20 The Darkside Rehearsals - Brighton Dome, Brighton, England
1972-01-21 The Guildhall, Portsmouth
1972-01-22 Eclipse Of The Dark Side - Winter Gardens, Bournemouth (Recorder 2)
1972-01-22 The Dark Side Winter Gardens - Bournemouth (Recorder 1)
1972-01-23 Gathering On The Moon - The Guildhall, Southampton
1972-01-27 Waiting for The Moon - City Hall, Newcastle-Upon-Tyne
1972-01-28 You Are Number Six - Refectory Hall, Leeds University, Leeds
1972-02-17 - Rainbow Tapes Day 1
1972-02-18 - Rainbow Tapes Day 2
1972-02-19 - Rainbow Tapes Day 3
1972-02-20 - Rainbow Tapes Day 4
1972-02-19 Finsbury Park - Disc 1
1972-02-20 Finsbury Park - Disc 1
1972-02-20 The Best Of Tour 72 (TSP-CD-049 1990) [VBR]
1972-03-06 Acid Moon - Taiikukan, Tokyo, Japan
1972-03-08 Natural Dark In Osaka. Japan
1972-03-09 Echoes From Osaka
1972-03-13 The Dark Side Of The Ice - Saporro, Japan
1972-03-13 The Great Gig On The Moon
1972-04-28 Chicago
1972-05-21 2nd British Rock Meeting - Germersheim, Germany
1972-06-28 Eclipsed By The Dome - Brighton [MP3]
1972-09-22 Hollywood Bowl, Hollywood, CA
1972-09-22 Staying Home To Watch The Rain[VBR]
1972-10-21 The Oxfam Concert - London [MP3]
1972-11-15 Echoes Of The Past, Sporthalle Böblingen, Stuttgart, Germany
1972-11-15 The Great Gig In Böblingen
1972-12-01 Harsh Realities [Stereo Tweaked]
1972-12-09 - In a Neutral Land - Zurich - Suiça (FLAC)
1972-12-12 Across The Swiss Border
1972-73 Nebulosity
1972-73 The Great Gig In The Sky (UK Unofficial SSR 41925)
1973-03-06 The Valley Of The Kings
1973-03-11 Yeeshkul!
1973-03-14 Live Music Hall - Boston, MA
1973-03-15 Dark Soundboard of Philadelphia
1973-03-17 Dark Side of Radio City
1973-05-19 Supine in the Sunshine
1973-06-17 On Stage Saratoga NY
1973-06-20 Breaking Bottles In The Hall
1973-06-20 Merryweather Post Pavillion, Columbia, MD
1973-06-29 When You're In...Tampa
1973-10-13 Set The Controls... - Vienna [MP3]
1973-11-04 Obscured At The Rainbow [VBR]
1974-06-24 Shine On Paris
1974-11-15 Black Holes In The Sky
1974-11-15 Work in Progress
1974-11-16 BBC Archives (HRV CDR 033)
1974-11-16 No Room Upon The Hill
1974-11-16 Time In London
1974-11-16 Wembley MTX-V2
1974-11-16 Wembley Pre FM-Master
1974-11-16 Wembley Wizards
1974-11-17 Getting Better All The Time
1974-11-28 Empire Theatre
1974-12-09 Manchester Day '74
1974-12-14 Stairstep To Abandon - Bristol, England [Vinyl]
1975-04-08 Azimuth Coordinator Pt. 1
1975-04-13 Riding The Cow.Cow Palace,California,USA
1975-04-26 Cruel But Fair
1975-04-26 Dogs And Sheep
1975-04-27 Hogs in Smog
1975-04-27 Los Angeles, CA master
1975-06-15 Faster Jersey
1975-06-15 Jersey Not Mother
1975-06-16 Random Precision
1975-06-18 Boston Garden Matrix Version
1975-06-18 Boston Gardens
1975-06-18 Crazy Diamonds [VBR]
1975-06-18 Echoes In The Gardens
1975-06-22 Heavy Rain
1975-06-28 Master Reel - Ontario (RTR-DAT-Source 2) (flac)
1975-80 - Azimuth Coordinator 1975 a 1980 (6CD box 1998)
1977-01-05 Iron Pigs On Fire - Fort Worth, Texas
1977-01-23 - If Pigs Could Fly
1977-01-23 Bugger's Eyes
1977-01-29 Desk Pig In Berlin
1977-01-30 Absolut Floyd
1977-01-30 Hunting Animals - Berlin, Germany
1977-02-01 Test Flight - Vienna, Austria
1977-02-20 Animals In Belgium - Antwerpen [FLAC]
1977-02-20 Ducks On The Wall
1977-02-20 Thirteen
1977-02-22 Dragged Down By The Stone
1977-02-22 Pavillion de Pigs
1977-02-27 Animals On The Wing
1977-04-22 Hurricane Floyd Hits - Miami FL
1977-05-01 Iron Pigs On Fire
1977-05-09 Animal Instincts
1977-05-09 Mr Pig - Oakland [MP3]
1977-06-19 Chicago '77
1977-06-19 Soldier Field, Chicago, IL (1st gen Charly C.'s tape - source 1)
1977-06-27 Boredom and Pain (Boston Gardens)
1977-06-27 Boston Garden, Boston, MA - The Perfect Day (FLAC)
1977-06-27 Boston Garden, Boston, MA (Lampinski)
1977-06-27 Pink Floyd 1977-06-27
1977-07-01 Live at Madson Square Garden
1977-07-02 In the Grassland Away
1977-07-02 Live at Madson Square Garden
1977-07-02 Prog King - Madison Square Garden
1977-07-02 Welcome To The Machine
1977-07-03 Madson Square Garden - New York
1977-07-03 Pigs Might Fly
1977-07-04 Sheep Independence Day (FLAC)
1977-07-06 Azimuth Coordinator Pt. 2 - Last Animals
1977-07-06 Fire Works Show In The Canadian Walls
1977-07-06 Montreal
1977-07-06 Who Was Trained Not To Spit On The Fan
1980-01-01 The Wall Rehearsals 1980
1980-02-07 Azimuth Coordinator Pt. 3 - flac16
1980-02-08 Little Black Book With My Poems In
1980-02-27 The Wall Live In Nassau
1980-02-28 Nassau - Coliseum - NY
1980-08-09 Soundboard on the Wall - Earls Court, London, England
1980-1981 Is There Anybody Out There The Wall Live
1981-02-19 Tear Down The Wall
1981-02-20 The Sixth German Show-Westfalenhalle, Dortmund
1981-02-20 Westfallenhalle,Dortmund, Germany
1981-06-16 Earl's Court, London (Watching The World Upon The Wall)
1984-04-30 (Gilmour) Live At The Hammersmith Odeon (London )(320)
1984-05-22 (Gilmour) Beacon Theater - New York City-NY
1984-06-16&17 (Waters w. Clapton) Sidewinder (Stockholm)
1984-06-29 (Gilmour) New Game - Berkeley [FLAC]
1984-07-12 (Gilmour and Friends) In Floyd We Trust (320)
1984-07-12 (Gilmour) Westwood One Concert (48kHz)(320)
1984-07-18 (Waters) Eric the Player, Roger the Singer
1985-03-20 (Waters) Live Radio City Music Hall, NYC [FM]
1985-03-28 (Waters) Complete Hitch Hiking Perfomance
1987-09-16 Echoes By The Lake Disc 1-3
1987-09-19 Prism
1987-11-01 Live at the Orange Bowl, Miami
1987-11-07 (Waters) Goodbye Mr. Pink Floyd (Remaster)
1987-11-30 MONEY GOES WEST - (The Sports Arena - Los Angeles, California)
1988 Delicate Sound Of Thunder (UK 7914802)
1988-02-19 Live in Melbourne (SOUNDBOARD)
1988-02-19 Melbourne - Soundboard Recording
1988-02-19 Tennis Center, Melbourne
1988-07-08 Nothing Is Changed (Modena, Italy) [VBR]
1989-06-12 Globe Arena, Stockholm
1989-06-13 Globe Arena, Stockholm
1989-06-14 Globe Arena, Stockholm
1989-07-01 Palais Omnisport de Paris Bercy, Paris, France
1989-07-15 Live In Venice 1989 {FLAC]
1989-07-15 Venice, Grand Canal
1990 (Waters) The Wall - Live In Berlin
1990-06-30 Of Promises Broken
1990-06-30 The Knebworth Tales
1994-03-30 Miami - The Live Bell
1994-04-16 Your Favorite Disease
1994-04-21 Pigs Over The San Francisco Bay
1994-04-21 They're Blowin Me Away - Oakland Master DAT
1994-05-31 3 Pigs At 3 Rivers
1994-06-11 The Bell Gets Louder
1994-07-18 By The Light Of The Silvery Moon
1994-08-13 The Sound Surrounds
1994-09-04 Softly Spoken Magic Spells - Feyenoord [MP3]
1994-09-13 A Night In Italy
1994-09-13 A Passage Of Time
1994-09-15 Udine - Italy
1994-09-19 - The Nights Of Wonder
1995 Pulse
1995 Wish You Were Here Live (CDM 7243 8 82207 2 9)
2000 (Waters) In The Flesh (Live)
2001-06 2002-01 David Gilmour in Concert (320)
2002-03-05 (Waters) The Happiest Night of Our Lives - National Stadium, Santiago
2005-07-02 Live 8 Reunion
2006-03-07 (Gilmour) Mermaid Theatre - London
2006-03-19 (Gilmour) Regathering Our Senses - Heineken Music Hall, Amsterdam [FA025]
2006-05 (Gilmour) 2007 - Remember That Night
2006-07-29 Happy Birthday Dear Richard (Archive Konigsplatz Munich rec 4)
2006-08-26 (Gilmour) Live In Gdansk
2006-12-07 (Waters) Milan, Italy FM
2007 (Gilmour) 4 Tracks Live From Abbey Road (US Promo CD Single)(320)
2007-03-14 (Waters) 50000 Lunatics on The Grass Chile '07
2007-07-07 (Waters) Live Earth 2007
2008-06-15 (Gilmour) Ron's Psychedelic Supper Vol.2
2010-07-10 (Waters & Gilmour) The Hoping Foundation (320)
2010-09-15 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-16 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-18 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-20 - Roger Waters - The Wall - Chicago [MP3]
2010-12-18 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2010-12-19 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2010-12-21 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2011-03-25 (Waters) Madrid - Experimento
2011-05-15 (Waters) Live At O2 Arena, London, England
2017 Live at Pompeii [FLAC]
David_Gilmour - Live Tracks - MP3

• 3. Rarities

1965 - Syd Barrett - Lucy Leave and Other Rarities [FLAC,Tracks]
1965-95 - Pinkie Milkie - Rarities Compilation
1966-67 London '66 - '67 (UK 1995 CDM SFMDP 3)
1966-67 Psychedelic Games for May
1966-71 Sophisticated Colours
1966-94 Early Flights Disc 1-10
1967 Reaction In G
1967-69 Music For Architectural Students
1967-71 Antiques- A Rare Collection of Oddities
1967-71 Antiques And Curios
1967-87 A CD Full Of Secrets
1968 Tonite Let's All Make Love in London OST
1968-69 The Embryo (TSP-CD-020 1989) [VBR]
1968-70 - Old Symphonies 1968-1970 - FM
1968-70 Ultra Rare Trax Vol. 1-3
1968-71 Spiral
1968-74 From Underground To The Moon
1969 - High Time
1969 - The Complete Zabriskie Point Sessions
1969-70 Omay Yad
1969-99 - Roger Waters - Rarities Vol 1-3
1970-71 - Syd Barrett - The Radio One Sessions
1971-72 Studio Outtakes & Demos
1972-06 From the Other Side (DSOTM Outtakes)
1975 - Tour Comic book
1975-76 Abbey Road to Britannia Row The Extraction Tapes (2014)
1978 The Wall- Under Construction
1978-79 Building The Wall
1979 Every Brick In The Wall (outtakes)
1980 - The Wall - Original Film Sessions 1980
1980 The Wall (Demos)
1982 The Final Cutting
1987 A Momentary Lapse of Reason Live Official Tour CD (Demonstration Not For Sale)
1987 One Slip CDM (UK 1987 CDEM 52)
1988 - A Momentary Lapse Of Reason (Official Tour CD)_flac
1990-05-02 - Roger Waters - The London Rehearsals 1990
1994 - Just Warmin Up - The Rehearsals in Tampa - 1994
Pink Floyd - Just Warming Up (Tampa 1994 )
1996 Pink Floyd & Friends - Interstellar Overdrive (Canada 1996 PS-NEMS 1001-2)
2001 Pink Underground
2005...A Desperate Attempt of Perfection
2010 - Roger Waters - Is It The Fifth
A Tree Full Of Secrets (18xCD Box Rarities)
Have You Got It Yet
2008 Have You Got It Yet v2
HYGIY v2.0 Vol. 1
Live Anthology
Roger Waters - Rarities Vol 1-3
Secret Rarities (2014
Star Profile - audio documentary
Variations on a Theme of Absence 8-CD

• 4. Compilations

1965-72 The Early Years Limited Edition 10CD [FLAC]
1967 The First 3 Singles (Remaster UK 1997 7243 8 59895 2 0)
1967 The Syd Barrett Tapes
1967-11-17 The First Singles
1967-1973 - Anthology II [HL 325-326]
1967-68 Masters of Rock
1967-68 The Early Singles (EU 1992 0777 7 80572 2 2)
1967-71 The Complete BBC Sessions
1967-93 - Total Eclipse - A Retrospective 1967-1993 - Italy
1981 A Collection Of Great Dance Songs (Remaster Japan 2001 TOCP-65744)
1983 Works (US 1983 CDP 7 46478 2)
1988 - Syd Barrett - Opel
1992 - La Carrera Panamericana
1992 - Syd Barrett - Octopus
1995 - Greatest Hits 3 - Post Pink - 1995 - MP3.320kbps
1999 - Legendary Rock Stars - Greatest Hits
2001 - Echoes The Best Of Pink Floyd (US 2001 2xCD CDP 7243 5 36111 2 5)
2003 - Roger Waters - Flickering Flame (320)
2007 - David Gilmour - Take a Best (Bootleg)(320)
2007 - Greatest Hits - Star Mark - 320Kbps
2010 - Syd Barrett - An Introduction to Syd Barrett (2010)
2011 - CD Sampler - 2011
Syd Barrett - Wouldn't You Miss Me -The Best of Syd Barrett

• 5. Remixes

1994 Dark Side Of The Moon -[Trance]
1994 Wish You Were Here [Trance]
1995 Meddle (Trance Remix)
1998 A Momentary Lapse Of Reason (Trance)
2000 Welcome to the Remix
2003 Easy Star All Stars - Dub Side of the Moon
2003-01-01 - The Floydian Propulsion Project
2004 Out There
2005 The Dark Side Of A Dream [320]
2006 DJ Fish Remixes
2006 Pink Floyd & Eric Prydz - Proper Education
2010 DSotM - Moon8 - 8 bits

• 6. Tributes-Covers

1995 The London Philharmonic Orchestra - The Music Of Pink Floyd
2002 Pigs and Pyramids An Allstar Lineup Performing the Songs of Pink Floyd
2005 The Piano Tribute To Pink Floyd
2006 Rockabye Baby! Lullaby Renditions of Pink Floyd

• 7. Interviews & Documentaries

1988 - Audio Documentario - Star Profile
2002 - Wish Youd Been Here - The Pink Floyd Story - Radio BBC
1974 - Tour Comic - 1974
1976 - Songbook
1987 - Songbook (VictorF)
2000 - Guitar Tab Anthology

Oklahoma City's event list.

Wednesday, Sep 20th

• 1/2 Price Game Day (Dave & Buster's of OKC - Oklahoma City) Start Time: 11:00am Need a little midweek pick me up? Come to Dave and Buster's for 1/2 Price Game Day, ALL DAY LONG. Come for the games, stay for the amazing food and drinks.
• 🎨 8th AArt Gone Wild Art Exhibit (Myriad Botanical Gardens - Oklahoma City) Thru Fri, Sep 22nd Start Time: 9:30pm
• 2017 Earth Month Target Take Back Car Seat Program (Target - Oklahoma City) Thru Sat, Sep 23rd Start Time: 8:00am Between September 10 and 23, Oklahoma City area residents can recycle used car seats! In celebration of National Baby Safety Month, 1,700 Target stores nationwide and across…
• 🎓 The 2017 University of Oklahoma International WaTER Conference (NCED Hotel & Conference Center - Norman) Start Time: 8:00am 5th Biennial WaTER Conference
  Water - a life-sustaining, basic need for every human. But clean, accessible water is out of reach for numerous underdeveloped communities across the…
  
• 😂 Aaron Kleiber (Loony Bin Comedy Club - Oklahoma City) Thru Sat, Sep 23rd
  
• ♪ Adventure Road Stage Feat. Elvis Extravaganza (Oklahoma State Fair Park - Oklahoma City) Start Time: 7:30pm The concerts take place outdoors, under the stars, in the Entertainment Plaza and are free with outside gate admission. Seating is on a first-come, first-served basis so come…
  
• Alzheimer’s Awareness Forum (The Fountains at Canterbury - Oklahoma City) Start Time: 3:00pm The Alzheimer’s Awareness Forum is open to the public and will feature speakers Ron Grant and Herb Magley for a special presentation titled “…and Then She Laughed:…
  
• 🎨 Annual Spring Show artwork by Lu Beard, Beth Hammack, Dodge Hill, Phebe Kallstrom, Margot Holaday, Amy Maguire, John & Marylou M (The Studio Gallery - Oklahoma City) Day 1 of 2 The Studio Gallery, 2646 W. Britton Rd., OKC, is pleased to announce its
  2017 Spring Show Thursday, April 20, 5:30 - 7:30pm.
  The show will feature new works of art by: Lu…
  
• ♪ Anthem Drown Night! (HiLo Club - Oklahoma City) Our local friends at Anthem Brewing Co. have some great beers! Every Wednesday night from 9pm to close enjoy $8 Drown Night! Their Power Pils will be flowing!
  
• 🎨 Artwork by Janet O'Neal and Jim Keffer (JRB Art at the Elms - Oklahoma City) Day 1 of 2
  
• Bi-Weekly Meetup (51st st. Speakeasy - Oklahoma City) Start Time: 5:00pm
  
• 🍴 Brown Bag Lunch Series: Jerome Tiger: Sport, Spirit, Spokesman (Western Heritage Museum - Oklahoma City) Start Time: 12:00pm With little formal training, Jerome Tiger rose to prominence as a leading Native American painters. Embedded within his work was a reverence for his culture and its past. As one…
  
• 🎨 Cartoons & Comics: The Early Art of Tom Ryan (Western Heritage Museum - Oklahoma City) Thru Sat, Sep 23rd Start Time: 10:00am Acclaimed Western artist Tom Ryan (1922-2011) spoke often about those who inspired him: N.C. Wyeth, Howard Pyle, Frank Reilly, even Rembrandt. Yet sketches from the Museum’s…
  
• Damien Jurado (89th Street Collective - Oklahoma City)
  
• Del City Kiwanis Club (Rose State College - Midwest City)
  
• ♪ Dixie Darling Dinner Theater (Touchmark at Coffee Creek - Edmond) Start Time: 4:00pm Join Touchmark residents at a dinner theater featuring the Dixie Darlings, a traveling impersonation group that has performed throughout the neighboring states. The Dixie Darlings…
  
• ♪ Gospel Singing with the Bilderbaks & Ministry with Dale Begley World Outreach (Church on Fire - Norman) Start Time: 7:00pm Beginning Sunday, Sept. 17 thru Wednesday, Sept. 20th, experience life changing ministry with Dale Begley World Outreach and The Bilderbaks gospel singing group @ Church on Fire,…
  
• 🎓 Hart Energy Conference (Cox Convention Center - Oklahoma City) Day 1 of 2
  
• I Prevail et al. (Diamond Ballroom - Oklahoma City) Crowd the Diamond Ballroom stage in Oklahoma City for a fast-paced set by four touring rock bands. Escape the Fate will…
  
• ♪ Live Music- Zac Lee Duo (Oklahoma City) Start Time: 6:30pm
  
• "’Lucem Ferre’ (University of Central Oklahoma - Edmond) Thru Fri, Sep 22nd UCO’S MELTON GALLERY BEGINS 2016-17 SEASON WITH ‘LUCEM FERRE,’ AN EXHIBITION OF BIOLOGY-INSPIRED ART The University of Central Oklahoma Melton Gallery will open “Lucem…
  
• Mattress Firm Shoe Drive for Foster Kids (Mattress Firm - Oklahoma City) Thru Sat, Sep 23rd Start Time: 10:00am All Mattress Firm stores in the Oklahoma City-area are hosting a shoe drive to benefit local foster youth and families. Now through Tuesday, Oct. 31, during normal store hours,…
  
• Oklahoma State Fair (Oklahoma State Fair Park - Oklahoma City) Thru Sun, Sep 24th Make your way to the Oklahoma State Fair and celebrate the end of summer with endless carnival rides, delicious fair…
  
• Oklahoma State Fair (Oklahoma State Fairgrounds Jim Norick Arena - Oklahoma City) Thru Sun, Sep 24th
  
• Reading Wednesdays (Western Heritage Museum - Oklahoma City) Start Time: 10:00am Free admission at the National Cowboy & Western Heritage Museum, courtesy of the Oklahoma Ford Dealers.
  
• ♪ Read Southall (The Blue Door - Oklahoma City) Start Time: 8:00pm
  
• Solo Exhibit by Morgan Robinson (Kasum Contemporary Fine Art - Oklahoma City) Thru Fri, Sep 22nd Solo Exhibition: New Works by Morgan Robinson August 19th through September 23rd, 2017
  Sculptor Morgan Robinson blurs the lines that divide art and design. Using the natural…
  
• Suzanne Santo (Tower Theatre Studio - Oklahoma City) Join Suzanne Santo for an exhibition of singesongwriter craftsmanship when she takes over the Tower Theatre in…
  
• ♪ Western Movie Matinee (Western Heritage Museum - Oklahoma City) Start Time: 1:00pm Join us for these curated selections. Popcorn provided. Museum is admission-free to all on Wide Open Wednesdays courtesy of the Oklahoma Ford Dealers. Taming the Wild West:…
  
• 🍴 Whataburger Oh Whata Night (Whataburger - Edmond) Start Time: 4:00pm On Tuesday, Oct. 3, Whataburger customers can show their support for Northern Hills Elementary School by enjoying their favorite menu items, and 20 percent of Whataburger’s sales…
  
• 🎨 Whiskey/Bourbon Tasting (Oklahoma City Museum of Art - Oklahoma City) Start Time: 6:00pm Join the Museum Cafe for the bourbon and whiskey tasting this September! We'll also have hors d’oeuvres and a relaxing atmosphere! Price: $40.08 | includes tax and gratuity…
  
• 🏃 Yoga Flow (Moore Norman Technology Center - Oklahoma City) Start Time: 7:00pm Students will learn basic Hatha Yoga asanas (postures), including balancing ones, and smooth, flowing sequences. Flowing sequences, such as Sun Salutations and variations are…
  
• 🏃 Yoga Flow Level I Very Gentle (Moore Norman Technology Center - Oklahoma City) Start Time: 6:00pm Practicing yoga is a way of life that can increase flexibility and reduce stress. This class is great for beginning yoga students, those recovering from illness, and those who…
  

Thursday, Sep 21st

• 🎨 8th AArt Gone Wild Art Exhibit (Myriad Botanical Gardens - Oklahoma City) 1 day left Start Time: 9:30pm
• 2017 Earth Month Target Take Back Car Seat Program (Target - Oklahoma City) Thru Sat, Sep 23rd Start Time: 8:00am Between September 10 and 23, Oklahoma City area residents can recycle used car seats! In celebration of National Baby Safety Month, 1,700 Target stores nationwide and across…
• 😂 Aaron Kleiber (Loony Bin Comedy Club - Oklahoma City) Thru Sat, Sep 23rd
• ♪ Adventure Road Entertainment Stage feat. Chase Bryant (Oklahoma State Fair Park - Oklahoma City) Start Time: 7:30pm A musician from birth, Chase Bryant will bring his lifelong passion for music and performing to the Adventure Road Entertainment Stage! Come rock out to his self-produced hits…
• 🎨 Annual Spring Show artwork by Lu Beard, Beth Hammack, Dodge Hill, Phebe Kallstrom, Margot Holaday, Amy Maguire, John & Marylou M (The Studio Gallery - Oklahoma City) Day 2 of 2 The Studio Gallery, 2646 W. Britton Rd., OKC, is pleased to announce its
  2017 Spring Show Thursday, April 20, 5:30 - 7:30pm.
  The show will feature new works of art by: Lu…
  
• ♪ Art After 5 Roof Terrace (Oklahoma City Museum of Art - Oklahoma City) Start Time: 5:00pm OKCMOA’s Roof Terrace gives visitors the ultimate downtown experience every Thursday evening from April through October with live local music, the best views of downtown OKC, a…
  
• 🎨 Art Forum: Megan Singleton Lecture (21C Museum Hotel - Oklahoma City) Start Time: 6:30pm Megan Singleton will facilitate a conversation regarding her exhibition, Fluvial terra, featured in the main gallery of [Artspace] at Untitled with pieces at 21c Museum Hotel.…
  
• 🎨 Artwork by Janet O'Neal and Jim Keffer (JRB Art at the Elms - Oklahoma City) Day 2 of 2
  
• 🎨 Cartoons & Comics: The Early Art of Tom Ryan (Western Heritage Museum - Oklahoma City) Thru Sat, Sep 23rd Start Time: 10:00am Acclaimed Western artist Tom Ryan (1922-2011) spoke often about those who inspired him: N.C. Wyeth, Howard Pyle, Frank Reilly, even Rembrandt. Yet sketches from the Museum’s…
  
• 😂 Davis-Waldorf Performing Arts Series: The Second City (Te Ata Memorial Auditorium - Chickasha) Start Time: 7:30pm The world-famous The Second City will kick off the 17th season of the Davis-Waldorf Performing Arts Series with Cure for the Common Comedy, a show for teens and adults that…
  
• 🎨 Drink and Draw (Tree and Leaf - Oklahoma City) Start Time: 8:00pm Drink & Draw is hosted every Thursday at either Brass Bell Studios, The Okay See, or Tree & Leaf from 8-11pm.
  Here is the weekly schedule:
  1st Thursday: The Okay See
  2nd…
  
• ♪ Fellowship of Christian Peace Officers (The Cube - Bethany) Start Time: 6:30pm Fellowship of Christian Peace Officers - USA is a national non-profit organization dedicated to ministering to the spiritual and emotional needs of the men and women serving in…
  
• 🎓 Hart Energy Conference (Cox Convention Center - Oklahoma City) Day 2 of 2
  
• "’Lucem Ferre’ (University of Central Oklahoma - Edmond) 1 day left UCO’S MELTON GALLERY BEGINS 2016-17 SEASON WITH ‘LUCEM FERRE,’ AN EXHIBITION OF BIOLOGY-INSPIRED ART The University of Central Oklahoma Melton Gallery will open “Lucem…
  
• Mattress Firm Shoe Drive for Foster Kids (Mattress Firm - Oklahoma City) Thru Sat, Sep 23rd Start Time: 10:00am All Mattress Firm stores in the Oklahoma City-area are hosting a shoe drive to benefit local foster youth and families. Now through Tuesday, Oct. 31, during normal store hours,…
  
• ♪ The Mavericks (Tower Theatre Studio - Oklahoma City)
  
• Oklahoma State Fair (Oklahoma State Fair Park - Oklahoma City) Thru Sun, Sep 24th Make your way to the Oklahoma State Fair and celebrate the end of summer with endless carnival rides, delicious fair…
  
• Oklahoma State Fair (Oklahoma State Fairgrounds Jim Norick Arena - Oklahoma City) Thru Sun, Sep 24th
  
• Outside" Sheridan Underpass Mural Artists (Exhibit C - Oklahoma City) Day 1 of 2 The four American Indian artists behind Bricktown’s newest underpass murals on Sheridan Avenue will have their award-winning artwork on display at Exhibit C in Bricktown July…
  
• Post-Traumatic Stress Disorder Management Support Group (Mental Health Association Oklahoma main office - Oklahoma City) Start Time: 6:00pm PTSD is a psychiatric disorder that can occur following the experience of witnessing of life-threatening events such as military combat, natural disasters, terrorist incidents,…
  
• 🎭 Ripcord (Carpenter Square Theatre - Oklahoma City) Day 1 of 2 Start Time: 7:30pm Carpenter Square Theatre opens its 34th Seasonn with the comedy "Ripcord," by David Lindsay-Abaire. In it, "The Odd Couple" meets "The Golden Girls" at the Bristol Place Senior…
  
• The Second City's Cure for the Common Comedy (University of Science & Arts of Oklahoma - Chickasha) The world-famous Second City comedy troupe kicks off the 17th season of the Davis-Waldorf Performing Arts Series at the…
  
• ♪ Smokey & The Mirror (The Blue Door - Oklahoma City) Start Time: 8:00pm
  
• Solo Exhibit by Morgan Robinson (Kasum Contemporary Fine Art - Oklahoma City) 1 day left Solo Exhibition: New Works by Morgan Robinson August 19th through September 23rd, 2017
  Sculptor Morgan Robinson blurs the lines that divide art and design. Using the natural…
  
• Survivors of Suicide Support Group (Mental Health Association Oklahoma main office - Oklahoma City) Start Time: 6:00pm Nearly 31,000 people take their own lives each year. As a survivor – a family member or friend of the victim – you may need help coming to terms with suicide. This group offers…
  
• The Wool Harvest (Crowne Plaza Oklahoma City - Oklahoma City) Thru Sat, Sep 23rd Start Time: 10:00am New venue to Oklahoma City! We have wool, textiles, fibers, yarns, wool threads, rug hooking patterns, applique patterns, books, silver jewelry, classes from Teachers across the…
  

Friday, Sep 22nd

• 🎭 4 of a Kind (American Legion Post 12 - Oklahoma City) Start Time: 8:00pm
• 4th Fridays at the Market (Delmar Gardens - Oklahoma City) Locals flood the Delmar Gardens Food Truck Park pavilion during 4th Fridays at the Market. At this monthly event, a…
• 🎨 8th AArt Gone Wild Art Exhibit (Myriad Botanical Gardens - Oklahoma City) Last Day Start Time: 9:30pm
• 2017 Earth Month Target Take Back Car Seat Program (Target - Oklahoma City) 1 day left Start Time: 8:00am Between September 10 and 23, Oklahoma City area residents can recycle used car seats! In celebration of National Baby Safety Month, 1,700 Target stores nationwide and across…
• 😂 Aaron Kleiber (Loony Bin Comedy Club - Oklahoma City) 1 day left
• ♪ Adventure Road Stage Feat. Tony! Toni! Tone! (Oklahoma State Fair Park - Oklahoma City) Start Time: 7:30pm Tony! Toni! Toné! crashed out of their Oakland neighborhood in 1988 with their Gold debut album Who? which spawned the hit "Little Walter". The success of The Revival and its…
• American Aquarium in Concert (Tower Theatre Studio - Oklahoma City) Start Time: 8:00pm Join American Aquarium for a very special evening of blistering honky-tonk when they take over the historic Tower…
• An Afternoon with Kiki Smith (Fred Jones Jr. Museum of Art - Norman) Start Time: 3:00pm Presented in conjunction with Kiki Smith and Paper: The Body, the Muse, and the Spirit at the Oklahoma State University Museum of Art, this panel explores Smith’s body of work…
• Asian Moon Festival (University of Central Oklahoma - Edmond) Come to Plunkett Park on the beautiful campus of the University of Central Oklahoma for Asian Moon Fest. This free,…
• 🎨 Cartoons & Comics: The Early Art of Tom Ryan (Western Heritage Museum - Oklahoma City) 1 day left Start Time: 10:00am Acclaimed Western artist Tom Ryan (1922-2011) spoke often about those who inspired him: N.C. Wyeth, Howard Pyle, Frank Reilly, even Rembrandt. Yet sketches from the Museum’s…
• 🏆 Central OK: 9/22 4:00 PM University of Central Oklahoma Women's Soccer vs Missouri Southern (Edmond) Start Time: 4:00pm University of Central Oklahoma Women's Soccer vs Missouri Southern\n http://www.bronchosports.com/calendar.aspx?id=5617
• Fall Equinox Walk (Lake Thunderbird Sailing Club - Norman) Is there anything better than a brisk fall walk? Come to beautiful Lake Thunderbird State Park and enjoy the…
• Gary Allan in Concert (Oklahoma State Fair Park - Oklahoma City) Start Time: 7:30pm Travel to the Oklahoma State Fair in Oklahoma City to hear country star Gary Allan perform a live set for a crowd filled…
• "’Lucem Ferre’ (University of Central Oklahoma - Edmond) Last Day UCO’S MELTON GALLERY BEGINS 2016-17 SEASON WITH ‘LUCEM FERRE,’ AN EXHIBITION OF BIOLOGY-INSPIRED ART The University of Central Oklahoma Melton Gallery will open “Lucem…
• Margaritaville Cocktail Cruise (Oklahoma River Cruises - Oklahoma City) Day 1 of 2 Start Time: 5:00pm
• Mattress Firm Shoe Drive for Foster Kids (Mattress Firm - Oklahoma City) 1 day left Start Time: 10:00am All Mattress Firm stores in the Oklahoma City-area are hosting a shoe drive to benefit local foster youth and families. Now through Tuesday, Oct. 31, during normal store hours,…
• Miss May I (89th Street Collective - Oklahoma City) Witness metalcore band Miss May I thrash through their popular tunes for the gathered crowd at Diamond Ballroom.…
• Needtobreathe (Zoo Amphitheatre - Oklahoma City) Three-man Christian rock group Needtobreathe will perform their biggest hits as they embark on their All the Feels…
• 😂 OKC Improv (The Paramount OKC - Oklahoma City) Start Time: 7:30pm OKC Improv is Oklahoma's premiere showcase of the best local and regional improvisational comedy and theater! Improvisation, or improv, is a form of live theatre in which the plot,…
• 🏆 Oklahoma Football (Gaylord Family Oklahoma Memorial Stadium - Norman) Day 1 of 2 Start Time: 3:30pm Oklahoma Football Tickets. Oklahoma Sooners Schedule. Sooners Tickets.
• Oklahoma State Fair (Oklahoma State Fair Park - Oklahoma City) Thru Sun, Sep 24th Make your way to the Oklahoma State Fair and celebrate the end of summer with endless carnival rides, delicious fair…
• Oklahoma State Fair (Oklahoma State Fairgrounds Jim Norick Arena - Oklahoma City) Thru Sun, Sep 24th
• Outside" Sheridan Underpass Mural Artists (Exhibit C - Oklahoma City) Day 2 of 2 The four American Indian artists behind Bricktown’s newest underpass murals on Sheridan Avenue will have their award-winning artwork on display at Exhibit C in Bricktown July…
• 🎭 Ripcord (Carpenter Square Theatre - Oklahoma City) Day 2 of 2 Start Time: 7:30pm Carpenter Square Theatre opens its 34th Seasonn with the comedy "Ripcord," by David Lindsay-Abaire. In it, "The Odd Couple" meets "The Golden Girls" at the Bristol Place Senior…
• ♪ Rising Star Concert Series (Rodeo Opry - Oklahoma City) Start Time: 7:00pm Alexis Christensen, Kensingtyn Curtis, Ella Misialek, Bella Hand
• 🏆 SNU: Southern Nazarene University Volleyball vs Oklahoma Baptist (Bethany Library - Bethany) Start Time: 7:00pm Southern Nazarene University Volleyball vs Oklahoma Baptist http://snuathletics.com/calendar.aspx?id=3465
• Solo Exhibit by Morgan Robinson (Kasum Contemporary Fine Art - Oklahoma City) Last Day Solo Exhibition: New Works by Morgan Robinson August 19th through September 23rd, 2017
  Sculptor Morgan Robinson blurs the lines that divide art and design. Using the natural…
  
• Sunset River Cruise (Oklahoma River Cruises - Oklahoma City) Start Time: 8:00pm Departs Exchange Landing | Last 3 Fridays (June – September) | $35/person Relax and recharge on the deck in the fresh Oklahoma breeze or inside the climate-controlled cabin…
  
• Thugs And The Women Who Love 'Em (OCCC Visual and Performing Arts Center - Oklahoma City) Thru Sun, Sep 24th
  
• The Wool Harvest (Crowne Plaza Oklahoma City - Oklahoma City) 1 day left Start Time: 10:00am New venue to Oklahoma City! We have wool, textiles, fibers, yarns, wool threads, rug hooking patterns, applique patterns, books, silver jewelry, classes from Teachers across the…
  

Saturday, Sep 23rd

• 2017 Earth Month Target Take Back Car Seat Program (Target - Oklahoma City) Last Day Start Time: 8:00am Between September 10 and 23, Oklahoma City area residents can recycle used car seats! In celebration of National Baby Safety Month, 1,700 Target stores nationwide and across…
• 🏃 2017 OKC St. Jude Walk/Run to End Childhood Cancer (Stars & Stripes Park - Oklahoma City) Join supporters in communities across the nation for the St. Jude Walk/Run to End Childhood Cancer during Childhood Cancer Awareness Month for this family-friendly event that…
• 😂 Aaron Kleiber (Loony Bin Comedy Club - Oklahoma City) Last Day
• Backwoods Country Music Show (The Centre Theatre - El Reno) Come to the historic Centre Theatre in downtown El Reno to experience the Backwoods Country Music Show. Featuring…
• Backyard Chicken Workshop (Myriad Botanical Gardens - Oklahoma City) Start Time: 10:00am
• 🎨 Cartoons & Comics: The Early Art of Tom Ryan (Western Heritage Museum - Oklahoma City) Last Day Start Time: 10:00am Acclaimed Western artist Tom Ryan (1922-2011) spoke often about those who inspired him: N.C. Wyeth, Howard Pyle, Frank Reilly, even Rembrandt. Yet sketches from the Museum’s…
• Dennis DeYoung in Concert (Oklahoma State Fair Park - Oklahoma City) Oklahoma State Fair in Oklahoma City welcomes founding member of the 1970s and 80s mega group Styx, Dennis DeYoung. His…
• 🏃 Down Syndrome Festival & 5K (Chickasaw Bricktown Ballpark - Oklahoma City) The event is open to the public. The 5K will begin at 8 a.m. and the awareness walk (one lap around the ballpark) will begin at 9:30 a.m. Gates will open and the festival fun…
• Edible Flower Arranging (Myriad Botanical Gardens - Oklahoma City) Start Time: 1:30pm
• ♪ Excision featuring The Paradox (Lost Lakes Amphitheater - Oklahoma City) Start Time: 12:00pm Boombox Cartel, Dion Timmer
• Norman Farm Market (Cleveland County Fairgrounds - Norman) Start Time: 8:00am
• Norman Film Festival (Downtown - Norman) Start Time: 12:00pm Each year, budding artists premiere their films at the Norman Film Festival. Created in 2017, this annual creative…
• 🎓 Free device workshop (U.S. Cellular - Oklahoma City) Start Time: 9:00am September is when school is back in full swing, and the beginning of a new school year is often when many children get their first phones. A recent U.S. Cellular survey showed the…
• 🏆 FREE Learn To Skate Lesson (Skate Galaxy - Oklahoma City) Start Time: 12:00pm FREE Learn to Skate Lesson Every Saturday from 12:00pm-12:45pm! The lesson is free and no sign up required! Don't have a pair of skates? No problem! Rentals start at $2! ALL AGES…
• 🎡 Harvest Festival (Univresity Town Center - Norman) Start Time: 11:00am The University Town Center is hosting a Harvest Festival in the center on Saturday, September 23rd from 11am to 2pm.
  The kids will love the variety of fun activities being…
  
• Josh Turner in Concert (Oklahoma State Fair Park - Oklahoma City) One of the youngest members of the Grand Ol' Opry is headed to Oklahoma City to showcase his award-winning voice at…
  
• Margaritaville Cocktail Cruise (Oklahoma River Cruises - Oklahoma City) Day 2 of 2 Start Time: 5:00pm
  
• Mattress Firm Shoe Drive for Foster Kids (Mattress Firm - Oklahoma City) Last Day Start Time: 10:00am All Mattress Firm stores in the Oklahoma City-area are hosting a shoe drive to benefit local foster youth and families. Now through Tuesday, Oct. 31, during normal store hours,…
  
• 🏃 Monarch Madness 5K and 1-Mile Fun Walk (Oklahoma City Zoo - Oklahoma City) Start Time: 8:00am Run 5k so they can fly 4,000k! The Oklahoma City Zoo invites you to run 5k (or walk 1 mile) in the Monarch Madness 5k. The officially timed course simulates the Monarch…
  
• 🏃 OKC Zoo "Monarch Madness" 5K (Oklahoma City Zoo - Oklahoma City)
  
• Oklahoma Bluegrass Club Show (Oklahoma Country-Western Museum & Hall of Fame - Del City) The Oklahoma Bluegrass Club Show features professional and non-professional musicians coming together to play their…
  
• 🏆 Oklahoma Football (Gaylord Family Oklahoma Memorial Stadium - Norman) Day 2 of 2 Start Time: 3:30pm Oklahoma Football Tickets. Oklahoma Sooners Schedule. Sooners Tickets.
  
• Oklahoma State Fair (Oklahoma State Fair Park - Oklahoma City) 1 day left Make your way to the Oklahoma State Fair and celebrate the end of summer with endless carnival rides, delicious fair…
  
• Oklahoma State Fair (Oklahoma State Fairgrounds Jim Norick Arena - Oklahoma City) 1 day left
  
• Oklahoma Wildlife Expo (Lazy E Arena - Guthrie) Day 1 of 2 Come to Guthrie's Lazy E Arena and experience Oklahoma's largest indoor and outdoor recreation event. Come to…
  
• Robert Irvine (Grand Casino Hotel & Resort - Shawnee) See one of Food Network's top stars live as Robert Irvine makes his way to Grand Casino Hotel & Resort in…
  
• 🏃 Run4Love (Color Run) (Chandler) The 2nd annual Run4Love project that is a community project hosted by the Central church of Christ in Chandler, OK. All proceeds 100% are being donated to the God & People's Food…
  
• 🏆 SNU: Southern Nazarene University Football vs Arkansas Tech (Bethany Library - Bethany) Start Time: 1:00pm Southern Nazarene University Football vs Arkansas Tech http://snuathletics.com/calendar.aspx?id=3430
  
• Thugs And The Women Who Love 'Em (OCCC Visual and Performing Arts Center - Oklahoma City) 1 day left
  
• The Wool Harvest (Crowne Plaza Oklahoma City - Oklahoma City) Last Day Start Time: 10:00am New venue to Oklahoma City! We have wool, textiles, fibers, yarns, wool threads, rug hooking patterns, applique patterns, books, silver jewelry, classes from Teachers across the…
  
• 🏃 Yoga Flow (Moore Norman Technology Center - Oklahoma City) Start Time: 9:00am Yoga is a great way to start your weekend! Offered on Saturday mornings, this class combines aspects of Level I and Level II. The class level will be tailored according to…
  
• 🏃 Yoga Flow Variety Fitness (Moore Norman Technology Center - Norman) Start Time: 10:30am For those who have previous practiced yoga and want to explore yoga blended with other exercise modalities. We will do a different blended class each week such as Iron Yoga…
  

Sunday, Sep 24th

• Hard Working Americans (Tower Theatre Studio - Oklahoma City) Get ready to fly your freak flag high when jam/alt-country super group Hard Working Americans takes over the historic…
• Jason Isbell et al. (The Criterion - Oklahoma City) Join Jason Isbell for an evening of great Americana music as he and the 400 Unit take the stage at the Criterion in…
• ♪ Jason Isbell & the 400 Unit (The Criterion - Oklahoma City) Start Time: 8:00pm
• Mesta Festa (Perle Mesta Park - Oklahoma City) Come enjoy a full day of outdoor fun at Mesta Festa in Oklahoma City. Located in the Midtown District at Perle Mesta…
• Oklahoma Derby Day (Remington Park - Oklahoma City) Celebrate the Oklahoma Derby in style at Remington Park Racetrack & Casino in Oklahoma City. In addition to the 10…
• Oklahoma State Fair (Oklahoma State Fair Park - Oklahoma City) Last Day Make your way to the Oklahoma State Fair and celebrate the end of summer with endless carnival rides, delicious fair…
• Oklahoma State Fair (Oklahoma State Fairgrounds Jim Norick Arena - Oklahoma City) Last Day
• Oklahoma Wildlife Expo (Lazy E Arena - Guthrie) Day 2 of 2 Come to Guthrie's Lazy E Arena and experience Oklahoma's largest indoor and outdoor recreation event. Come to…
• Thugs And The Women Who Love 'Em (OCCC Visual and Performing Arts Center - Oklahoma City) Last Day

Monday, Sep 25th

• Naomi Punk (Opolis - Norman)

Tuesday, Sep 26th

• Against Me! et al. (Diamond Ballroom - Oklahoma City) Pump those fists high as punk rock band Against Me! commands the Diamond Ballroom stage. Sing along to fast-paced rock…
• Beautiful: The Carole King Musical (Civic Center Music Hall - Oklahoma City) Thru Sun, Oct 1st Join OKC Broadway at the Civic Center Music Hall for a touching performance of "Beautiful - The Carole King…
• Food Truck Tuesdays (Jackson - Blanchard) Every week, treat your taste buds to new flavors. During Food Truck Tuesdays, a different food truck will park in…
• Silent Planet in Concert (89th Street Collective - Oklahoma City) Silent Planet is best known for their metal riffs, complex lyrics and heavy vocals. Come see this metal rock band live…

See Also

• OK Gamers
• Techlahoma